His role in Burn After Reading is still the best part of that movie.

Yes. Cars 3 is tonally consistent with Cars 1 and Cars 2, with the exception of the design of Jeff Gordon's car alter-ego, is ignored.

We are continuing our investigation into just how much pee Sean Hannity drinks, but we have delayed talking about it out of respect for the musical Urinetown.

Yeah, an album or two back she did a bit of a genre switch. She didn't want to do the same thing over and over again I guess.

It's not Robyn, but the new single from Sarah Jaffe "Bad Baby" has some definite Robyn vibes to it. Again, don't expect it to replace Robyn, but you may enjoy it none-the-less.

I've listened to Jason Isbell's new album about 20 times.

It's amazing what getting clean did for his songwriting. He used to have two or three great songs an album. His last three albums have been stocked.

I don't think anyone is going to write songs as great as "Cover Me Up", "Elephant" and "Live Oak" and put them all one the same album, but man if this album isn't great in an entirely different way.

Fox wanted some sort of lead-in for that new John Cena show.

That's not a comedy sketch, that's a political discussion on reddit.

Just google 'Bill Maher Islam'

Warren Zevon.

As a smug klutz, I suggest that gender isn't as heavily involved in this as you might think.

There's a subplot that makes it absolutely clear this film has no problem drawing comparisons to Captain America, including a sequence where they recruit a group of outcasts to form their German busting motley crew

It's something like that.

Ares is heavily involved with both sides of the war, corrupting both sides into favoring continued conflict. Basically, the plot of the film requires both sides to be equally corruptible in a way that would not be palatable if World War II had been used.

Actually, it's set in WWI because a major plot point wouldn't make sense in World War II.

Hawkeye is the ice you scrape of the sides of the freezer.

It also added emotional resonance later in the movie—where deaths in the movie actually meant something and gave the despair of the moment palpable, instead of just random civilian deaths as collateral damage.