To me, it’s not about that. It’s about the kind of platform that Twitch is wanting to be. If it wants to embrace content who’s sole purpose is titillating audiences, then it should just come out and do so. They could create a section for it and create guidelines to distinguish themselves from ONLYFans and be done with…

It’s PG-13 cam girls.

They’re not a meaningful indicator of anything, and never have been.

The Razzies serve an important function in the cinema ecosphere. It's good for these execs to be publicly told they're not trying hard enough. 

Yep it’s possible to think that Last Jedi has issues, and also think that Knive’s Out is fricking amazing. These are in noway contradictory statements. Somedays good creators have off days. It happens.

In 2017, Johnson took the numerous story possibilities left for him by J.J. Abrams’ The Force Awakens and turned it into The Last Jedi, a film that defied expectations in ways Star Wars movies used to.

I don’t know that that reasoning makes much sense. Many of the people who didn’t end up liking TLJ saw it in theaters, so using box office returns as evidence that they were a tiny minority doesn’t make much sense. Personally, I don’t particularly like TLJ, though I want nothing to do with the reactionary assholes who…

Since The Mandalorian is the best Star Wars we’ve seen since ROTJ, I heartily agree.

“What if, instead of reading a book, you could listen to some people discussing a topic one of them read about, briefly, a while ago?” 

Why, because he’s making sense? You both sound like and resemble a Turd.

For sure. Unless he’s got some tapes of all of this “enablement” he keeps talking about, it seems pretty short sighted for a guy, with two move credits to his name (Both WB) to try kicking the President of the studio in the teeth. If he legitimately got a raw deal, I feel bad for the guy. I really do, but maybe his…

Remember, Hamada’s involvement in all of this amounts to nothing more than reminding Ray Fisher that actors are not entitled to script re-writes and that those decisions are ultimately up to the director of the project.

Maybe I’m just a product of my time, but hunky brooding will never be better than roundhouse kicks.

Sam Adams, though.

I always have to laugh when some of my liberal brethren mistake Burr for an out of touch centrist, or worse, sympathetic to the right. I always tell them you really haven’t listened to his material then, as it’s obvious he is firmly a liberal that doesn’t suffer idiots, especially on the right. It’s his shtick to come…

While not everything worked, it was great to see some edginess in an SNL monologue. Too often, performers come on SNL that I think will be good only to have them get ground down by the formulaic nature of the show. Burr kept his edge and persona intact. Also, Kate’s “I’m obviously not” added to the more unpolished…

I’m pretty sure I hit my 78th birthday while watching Funny People, and I’m only 47.

Funny People would’ve been so much better without the overlong detour to Marin in the second half.

Gotta have that off-putting third act swerve into drama that occurs long after the film’s actual climax. What would an Apatow film be without that?

I shudder to think how long the original cut of Funny People tapped out at.