I'm a straight adult man and I know that's hot dude talkin dang

SLAP SHOT would like a word

I remember renting it on VHS way back when and when I got home and opened the box I saw it was actually rated PG-13 and I was like, aw no, fuck this, and returned it to the videostore. Do not care.

But Doctor, *I* am Pagliacci.

Reminds me of the scene in which one of the Losers sees the Mummy shambling far out on a frozen lake, slowly, so slowly yet inexorably making its way towards him…

Yeah, read them in order of publication! CARRIE is an amazing debut novel.

Aw thanks!

Ah the beloved step-back cover! The original paperback of NIGHT SHIFT utilized that to stunning effect.

King is more a Springsteen/Ramones/AC/DC kinda guy, not Smiths/Hall and Oates/whoever did Every Time You Go Away.

Oh I don't need to. Again and again.

"What if the monster is a part of her or, more accurately, an Upside Down version of her?"

Countless horror/thriller/true crime paperbacks of the late 1970s and throughout the 1980s used this Benguiat typeface (visit your local used bookstore or thrift shop and behold!). As a diehard fan and collector of such books and having searched for and discovered the name of this typeface some years back, I was…

Hey that's my paperback copy of THE HOWLING! Actually that's the back cover; the front cover looks like this: http://tinyurl.com/jvbqvq3

The bit with "American Girl" in SILENCE OF THE LAMBS is to me as iconic as the much more popular "Goodbye Horses" scene. Perfect, effortless characterization.

I have not; I suppose I'm skeptical too!

The VIDEODROME novelization was written by Dennis Etchison under his pseudonym of Jack Martin. Etchison is one of those horror writers nobody outside the genre has heard of (like Ramsey Campbell or Thomas Ligotti or Graham Masterton or Michael McDowell).

Aw shucks.

Yes, Michael McDowell is one of the underrated horror writers of the 1980s. Glad his books are coming back into print, just wish he was still around to see how appreciated he is today.

We must've been the handful of people who saw ED WOOD in the theater, I once read it was Burton/Depp's lowest-grossing collaboration ever by a very large margin. Shame because I think it's their best.

I didn't see Shallow Grave on a big screen, just on a tiny one in the smallest indie theater in town, but I've never been able to forget that knife through the shoulder. Or that the killers forget about the victim's car. Don't know what prompted my friends and I to see it… guess just post PF buzz? But glad I did.