So, on a scale of 1 to 10, how would you rate the suckiness of the experience?

You’re going to have to be more specific.

Furnace Room Lullaby goes first. The songs are impeccable, and the style throughout is alt-country/torch, which is her wheelhouse. Her more poppy, folky material doesn’t give her voice an opportunity to do what it can really do. Also, her live album The Tigers Have Spoken is darn near perfect as well.

I vote for Steve Earle and Allison Moorer, although that’s been over for awhile.

“Really?? They weren’t divorced. She died. That makes him a widower, not a ‘former’. If anything, the word ‘former’ shouldn’t even be there. Until he remarries, he’s still her husband.”

“It’s chaos. Be kind.” Way to completely miss the point of the tribute and the article by coming right out of the gate to make a ridiculous snarky comment about the author’s choice of words to describe a confusing situation. Clearly, her message is still needed.

That’s Dee Dee King to you.

Hey, look at all the prog-rock geeks. Doesn’t matter how they got there, it was still Yes, with two of the leaders of the band fully intact. I don’t recall Fleetwood Mac ceasing to be Fleetwood Mac after losing Bob Welch and gaining Buckingham/Nicks.

I bought a bright red Jackson Hole hat on a ski trip a few years back and wore it to the gym all the time. Since 2016, not so much.

Since this article includes so-called “new wave” in its analysis (i.e., Talking Heads, Elvis Costello), I would argue that one of the most unexpected, and commercially successful, example of a dinosaur act taking on a “new wave” sound is Yes in Owner of a Lonely Heart. Granted, this coincided with the addition of…

Solid list, but gotta disagree on Pan’s Labyrinth, and I think Wilco’s Being There is out-and-out great, A + material.

(Stuffing 20 Clowns In) The Clown Locker

As Primus, I am the optimum warmer of aluminum foil pans, as well as a popular musical combo.

Given the age of my daughter at the time, I saw that awful Yogi Bear movie with Faris in it far too many times. but I remember that she was the one good thing about it.

As an op-ed piece, we hear at the paper are highly troubled by the problematic gender-dynamic reversals in this film, and firmly believe that swift, decisive action needs to be taken.

And of course, putting aside that said celebrity has not repented and will never do so, and has never sought to be redeemed.

You’re right. The defense strategy could really bite him in the ass at sentencing. I don’t see him expressing remorse, and that, combined with that closing, could induce the judge to, in effect, give him a life sentence.

Don’t even think about it, man. I know it’s tempting but, just don’t.

I saw the Mac last tour with L. Buck and they, and he, were fantastic. If you had asked me, without knowing his replacement(s), whether they were worth seeing without him, I would have scoffed. But color me very intrigued by this iteration. It helps that I’m a Neil Finn and Tom Petty and the Heartbreakers geek. Neil…

How is it not “notable?” It was an actual mainstream radio hit, unlike all of the songs listed above, and is still played on the radio (to my chagrin). The very fact that it was heard by the masses makes it the 800-pound gorilla of punk covers, even if the band itself was never heard from again. To me, the very fact…