This is the first one I saw, and I watched it before realizing what the Ctrl Shift Face channel was all about. It was an odd progression: “wow, that’s a really great impression - he’s even got the facial impressions! Wait... what the fuck???”
This is the first one I saw, and I watched it before realizing what the Ctrl Shift Face channel was all about. It was an odd progression: “wow, that’s a really great impression - he’s even got the facial impressions! Wait... what the fuck???”
Like Amsterdam-based interactive design studio Monkier, who took note...
Interesting. The tone is hardly comic throughout; when dealing with the Nazi stuff, it gets deadly serious. I also liked the handling of the corrupted present, where removing Hitler (and, indirectly, the Nazis’ WWII defeat) from history had created almost a “missed catharsis” that made things demonstrably worse. The…
Still pissed that #8 wasn’t called Fast & Furiosa...
Fantastic book.
I feel like Patrick Bateman could help settle this argument for us...
I was going to say, the marketing didn’t employ that image nearly enough to beat Patton at the box office...
Even Spider-Man: Homecoming stopped showing us Uncle Ben dying and that only happened twice in the movies.
I definitely skew low on the Kinsey scale, but when I think back to this movie, the images that come to mind are split roughly 50/50 between impressive fire effects and Russell/Baldwin/Glenn shower action.
This is a great find, but I’ve got to say, I’m a bit disappointed that Wikipedia Prime doesn’t seem to have an equivalent page to the one you posted. Searching Wikipedia for “longest gaps between sequels” returns The Odd Couple II, which has a comment about its 30-year gap being one of the longest, but that note is…
If memory serves, the original also offered 2.5 metric fucktonnes of beefcake. Whether that’s your particular cup of tea or not, it certainly makes an impression.
I’m here from the future to inform you that, regarding your last point, it doesn’t get better anytime soon...
You better shut down that shit-talk about I Love You To Death. I don’t remember much about it (mostly the insistence on Johnny Mathis to muffle the gunshot, and mistaking messy pasta on the side of Kline’s face for a bloody exit wound), but now that you’ve triggered my vestigial nostalgia for that movie, I’m oddly…
“At least Fisher wouldn’t be jarringly reanimated via CGI, like Peter Cushing (and Carrie Fisher) in Rogue One: A Horror Story.”
“Fuck Me, He Cleared It”: Prince of Thieves
It’s not that yelling = bad acting; it’s that the “yelling = good acting” presumption is the hallmark of a bad actor.
John Wick Chapter 4: Care-a-vellum
I was getting a HUGE American Gods vibe from his march up to address Cersei...
Absolutely, and that’s exactly where I came down after the initial gut reaction. It took a minute, though.
For me, it was a few things: