The Univisioncommunicationsbomber?

Yeah, the orchestral crescendo ascends rather than descends, so it makes sense that Hughes was referring to the transition out of the "dream" section that @richardforman:disqus describes.

Within You Without You seems pretty personal to George, in the way it illustrates his attitude toward materialistic people.

Oops! I scanned down your list looking for the longest title.

But you omitted Lovely Rita and Don't Talk (Put Your Head On My Shoulder)! Where do they fit in?

The Wachowskis weren't the ones spouting that stuff; they didn't do any promotional interviews for Reloaded and Revolutions. It was Joel Silver who was hyping the films up with comments about the franchise being planned as a trilogy from the start, and grandiose claims like "the bar is raised so high, there is no more…

Halfway through the movie itself, or halfway through the period from the scheduled start of one screening (including adverts and trailers) to the next?

"Intertubes".

Wow, I never realised that "Nasty" Nick Bateman might be the starting point of a line leading to Trump.

That really has warped her fragile little mind.

I've always rather liked the Library. Of course, the combat is nowhere near as interesting against Flood alone as it is against the Covenant. But the Library has a hypnotic repetition to it that I like getting lulled into.

The Shadow Temple is also the only one without a quick route to the boss upon restarting. I didn't have the extended magic meter, so I died frequently at the boss; and every time I restarted, I had the choice of going through that gauntlet again, or using the Farore's Wind magic warp to speed up the retry at the…

For me, by far the biggest example is The Godfather.

Viewer interaction with a cartoon, you say?

But what's writing about architecture like?

In that bit of "Leper Messiah" with the line "Knees, knees/Falling to your knees", I can't take it seriously because I always think of Spike Milligan's poem "Knees":

Were your lyrics anything like these?

My first console FPS was GoldenEye. I started inverted on that, and stayed inverted through Perfect Dark, Dreamcast Quake 3 and Unreal Tournament, PS2 TimeSplitters and Cold Winter, and Xbox Halo. (Not to mention all the third-person shooters too.)

Yes, the verses of "D'You Know What I Mean" use an almost identical key and chord progression to "Wonderwall", and a very similar rhythm too. But the chords progression of "All Around the World" is pretty different.

At least trailers are skippable and most players go up to at least 32x fast forward speed. In my experience, it's the studio logos that tend to be unskippable and take longer to get past.