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It was released by Mubi here which made things easier (and cheaper!). If it's streaming it's worth the investment.

Manchester premiered in Sundance, but Moonlight indeed premiered just a few days after that article.
I guess they didn't love Toni all that much (assuming they all saw it).

What went wrong? According to your Fall preview Toni Erdmann was supposed to make the top 5?

1. Things To Come
2. Right Now, Wrong Then
3. Mia Madre
4. Aquarius
5. Sweet Bean
6. Toni Erdmann
7. The Neon Demon
8. Moonlight
9. Elle
10. Arabian Nights
11. By The Time It Gets Dark
12. Dirty Grandpa
13. The Fits
14. Hail Caesar
15. Marguerite

You can within categories if you access it through your web browser, also allows checking by chronological order, useful if you want to check what older films are available.

About to finish Chloe Delaume's latest, Les Sorcières De La République (translates as The Witches Of The Republic). Set in 2062, it's the minutes of a trial trying to uncover what happened in 2017-2020. France had in 2020 voted for general amnesia about the previous three years, so they are now trying to uncover what

Anyone on staff seen Parched?
A film set in rural India centred on the life of four women, no one has seen it, but it's typically the kind of film that could become a popular favourite if people did.

Season two for me. The first one is already very confident but still ironing out a few things, and season three starts to lean a bit too heavily on formula (which is not in itself an issue when the formula is so great). Season is where they know exactly what they're doing and it also still feels that they're looking

The restoration is done by Arrow (who are also releasing a Blu-ray), nothing to do with the BFI (the trailer you link to even starts with the Arrow logo).

You Don't Mess With The Zohan. It's even extra relevant today with its immigrant characters fighting white supremacists.

That's disappointing, also I might betray myself as an old fogey, but there was wifi earlier than a couple of years ago (or Beyoncé songs for that matter).

I liked The IT Crowd (first two seasons, after it gets pretty broad), but how is it better than The Big Bang Theory in its treatment of nerds. How is Moss a better representation of a nerd than Sheldon?

You're doing being a nerd wrong, if someplace, somewhere, there is a piece of entertainment you disapprove of, you should feel offended deep down to your core that some people like things you don't, and should people like the things you do, you should complain that they're just pretending.

And The Flying Lizard's cover of Money is still totally jerkin'

I'm pretty sure I recognised the street even.
There's a later scene in London as well so I guess there is a possibility they really end in Manhattan at the beginning.

I can't say I particularly care about who they are, but it's always interesting to see just how many people it takes and some of the job titles.
I definitely don't regret staying for the credits to The Duke Of Burgundy and seeing they had a human toilet consultant.

Isn't having a woman in what could have been a male role and not changing anything about it the exact definition of a win for diversity as it moves away from the man=normal setting?

I suspect they left it deliberately unclear, you also have the not quite panicked enough reaction of Rachel McAdams when he pops up in the ER for it to be a truly significant amount of time (or maybe he did email her regularly for who knows how many years). But the mention of years of training and hard work to become

I roughly agree with this, but considering I've never thought the Marvel films particularly well-written, this one being so enjoyable to just look at easily makes it one of my favourites.