The Boy George scene. LOL... Yeah yeah, I’m old, but that was so... rad.

An easy question to answer. I guess it betrays my age. Heh

I, too, have a burning desire to interview Gandalf, a.k.a the guy who called for the “Faggots” to be thrown into the fire.

I’m no filmmaker, but I think there are many story segments within the epic that can be made effectively into a stand-alone story. String a few together and make it interesting.

Can’t disagree with that. But even as a superhero movie, this one makes very little sense in terms of plot, character, motivation.. everything!

I knew it was either Yu or Mi. Just not Hym!

The actual history was never the point of the epic. It never was. Illiad was never about whether bows never during that era could fly so far to pierce anyone’s heel. It was a heroic telling of the achievements made by those the storytellers considered heroes. This Feng Shen epic was when godhood (!) was conferred to a…

Please make no mistake. This is one terrible movie. The classic is an epic that ranks among the Mahabharata and the Illiad. It’s the telling of the transition of the Shang dynasty to the Zhou.
This movie touches none of that. It makes my eyes bleed.

I am happy for him that he’s escaped association with being Thoth (UGH!) in the Gods Of Egypt movie.

Jurassic Bark.. OMG Jurassic Bark....

“I’m a loose bullet right now, Mitch. Don’t press me...”

For some reason, I feel compelled to put here that the “original” story behind this atrocity is the Chinese myth of “The Canonisation of The Gods”, aka.

Don’t need a reason to be “bothered”. The fact they made a movie like Hitman: Agent 47 in my country is upsetting enough without a need for further explanation....

“NUN SHALL PASS”, should have been the spoiler tag.

I was a fan, waited so patiently for the last 2 issues that really REALLY disappointed me.

Too soon?

The completion of a project overrules (even if it doesn’t justify) all the unpopular deaths in its unplanned state. Or something like that.

True. I should be clearer. By bland, or weak, or unrealistic, I do mean within the context of making a strong story, not in the context of the narrative style.

Authors NEVER need to apologise for killing off a character, or even characters. They should, however, feel bad if they ever create a weak/bland/unrealistic character.

Um... “Enhance”?