Ah, by that season it basically was—especially the episode in question.
Ah, by that season it basically was—especially the episode in question.
I'm not going through the whole list, was there any Tull? I'm gonna complain on the internet if there wasn't any Tull.
Rest in peace, you bread-shoe wearing, nightmare-inducing, generation-defining genius lunatic.
I'm really just basing it on this and The Abyss, but she's not really my type (especially when she's playing against Michelle Pfiefer). She's certainly not someone I'd call attractive enough to overlook the whole sibling thing, that's for sure.
This makes an alarming amount of sense.
A vomit. A throw-up.
"Hey, that movie about how we're gonna get fucked in the ass in prison is coming on, wanna put down the cocaine and watch it?"
Surely the front is preferable.
Never understood the appeal of Scarface with the gangster rap crowd. Getting shotgunned in the back after some very weird incestuous vibes with your sister (who isn't even that attractive, Jesus, Tony, come on) doesn't really scream "legit" to me. That said, dat haus.
I can work with that. I do need help prolonging climax.
Cyd Charisse or I'm not interested.
I think the more important question here is "has CGI advanced enough yet so that young Carrie Fisher can be in these films"?
I'd say he should as for his money back for such a terrible job—but what if looking like that is actually the better outcome?
This reminds me of that one Transformers episode where this dude tried to steal a car but the car was actually a transformer, but he got his transformer-wire cut so he was really just a car who talked—and was goddamn fabulous thank you very much—and for some reason stayed at like a regular car park despite being a…
He picks up a bus and he throws it back down
As he wades through buildings to the obligatory sequel
No one thought to give John Hammond a call?
You know, I read a lot of Lovecraft and I never connected those dots. I just had the whole "lingering corruption" vibe throughout his work in my head, but it makes so much sense with radiation in mind.
You mean The Beast from 20,000 Fathoms (1953)? It used an atom bomb but it was about the blast excavating a monster from ice, rather than creating one through mutation.
Genuine question—is this the origin of the nuclear-mutation trope, or was there anything earlier?
Yeah, I was looking at it thinking "when did she go blonde? Where's her original face?".