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"Soul Mining" must be one of the best albums of the 80s. Matt Johnson is really talented and a truly great song writer— "Perfect" encapsulates late-twenties ennui with just a few images and lines. Then comes the chorus: "oh what a perfect day/to think about my silly world/my feet are firmly screwed to the floor/what

That's probably exactly why they do it. It's a cheap episode to produce. I do think they make that part of the joke, but they still end up feeling kinda half-assed.

Nailed it. It's a really long (too long) Flaming Lips album, with a bit more dance shit and hip-hop drums added to the mix. Which makes it hard for me to understand why people are hating on it so much. They'd be tripping if it was the Flaming Lips feat. Miley instead of the other way around. I don't get it.

The album is too long and a bit too schizophrenic for my liking, but people are hating on it way too much. Something like "Karen Don't Be Sad" could be in a Flaming Lips album with Wayne Coyne vocals and most of you'd be drooling over it. That album cover is pretty bad, though.

What the fuck is your problem? You're being really obnoxious about this.

Amazing film. One of Rohmer's greatest endings. It may be his best.

Lone Ranger lovers of the world unite!

… nice to have you around to set us straight?

FUCKING GARRET

Is this movie about fifteen years too late? Even Guy Ritchie isn't making these anymore.

Seems idiotic to talk about Bob Marley as if there's some reason to be embarrassed about liking him. "Natty Dread" and "Uprising" may be two of the best albums of all time. His vocals on "Coming in from the Cold" or "So Much Things to Say" from "Exodus" are something I'll never get tired of listening. It's a kind of

That doesn't mean I dislike it. I love all the seasons. But Mad Men has always benefited more from callbacks and shared histories than secrets and slow-burning revelations, so to me each is pretty much better than the last.

Can we please rank the seasons?
5 > 7a > 6 > 4 > 7b > 3 > 2 > 1

Brad Bird should do a Hulk movie.

I don't understand how people prefer Parklife's britpop to Blur/13/Think Tank's inventiveness and experimentation. Also, Plastic Beach is Gorillaz at it's very best. So why is it so underrated by the press?

Will you do the power rankings this season? That was you, right?

D'Angelo is one of the only critics I actively follow and admire but a "B+" for Playtime and a "B" for Mon Oncle find him collapsing into self-parody.

It was always meant to be ambiguous whether he died or not but, as everything else with The Sopranos, that ambiguity had a meaning: this COULD be the moment he dies just as any other moment could be. He'll always live under constant paranoia, seeing hit men in the background, fearing for his safety and his family's