A non-fiction adaptation of Murakami’s Underground, his book of interviews with the Aum Shinrikyo victims (and some of the perpetrators in a later edition) would be worth a watch.

“or when the chief gives Allen back his wooden gun and the bad guys put a nice coat of lacquer on it”

I assure you, that mistake irked me. Mumbling, Fucking itty-bitty Kinja edit window.

Shitty sci-fi.

I’ve seen it best compared to the old joke: a person leaps from the 50th floor of a building. Around floor 25, someone pops there head out the window, enquiring as they pass, “how’s it going,” to which the jumper answers, “so far so good.”

Do perdele, kommo.

“Now everyone’s got a loudspeaker and soapbox, regardless of whether they have anything to say.” Yup, and there’s no difference between a 12 year old and a 40 year old on the internet, either.

That’s amazing. I feel like there’s not enough bad movies anymore that are welded together from the wreckage of other bad movies, failed tv pilots, etc. I mean, it’s not like the world needs them, they’re just entertaining in their bustedness. I’m gonna have to check this out now.

I’d never heard of that…apparently it had a budget of $100,000. That seems an ample amount for tackling the concept of computer totality, even after you take out Cusack’s 6k or so.

Stories travel as easily as the characters do in Star Wars. And as far as Kylo, the obvious present-time parallels show how staggeringly low folks are willing to go for their childish bully boss, provided there’s an opportunity for personal gain.

**fart**

“Except that nothing bad happens to them.” I fully disagree. They lose the people they’ve been pursuing for the entire film while inadvertently re-invigorating the flagging rebellion. They also watch as their “supreme leader” is humiliated by vapor (after that same “supreme leader” further humiliates and isolates his…

She was even shown frosting up a bit out there, if I recall.

Hollywood negotiating class, lesson the first: have a penis

It’s already been changed, but lower down his “trademark” is “abuse”.

It’s the definitive version of that song, as far as the Kid is concerned.

That, or he’s paid some shit pittance to muddy up conversations like this. Or he’s earnest and a complete fucking idiot.

Yeah, don’t worry, he needs every bit and more of the lashing. It feeds him. I presume there’s a reason his name ends in (t)Roll.

“After and Afterer”