Yeah, buddy, the studio that released garbage like Suicide Squad, Space Jam 2, Fantastic Beasts 3, Ready Player One, Geostorm, Batman V. Superman, Tom and Jerry Meet Willy Wonka, and Justice League (twice!) suddenly decided they cared about quality so much that they just COULD NOT BARE to release a bad movie. Yes,…

True, but at least they released the stupid thing. The new WB regime spent about the same amount of money on Batgirl and then decided to just never show it to anyone.

But can you play the piano anymore?

Except they didn’t get paid for their time and work, because HBO Max yanked their shows EXPLICITLY so they don’t have to pay the creators.

Makes perfect sense. After all, how could they possibly get any viewers for a show about an obscure, unpopular, forgotten character like *checks notes* Batman.

I googled the novel this movie is based on. It’s about a wealthy middle aged lady who lives by the shore and she’s sad because her husband died. Then a Mysterious Newcomer comes to town. He trains military dogs for a living (yes, really) which shows that he’s Manly But Sensitive. Will they get together?

Whoever is in Charge of Copyright in Britain, Presumably the Queen: But how will people be able to tell the American Avengers from the British ones?

Marvel: We thought of that. One of the Avengers will be dressed like an American flag for the entire movie.

Iron Man in the inevitable MCU reboot: It’s time for us to come together as a team. It’s time for us to become...Disney Presents Marvel’s Avengers Brought To You By Verizon Wireless.

I feel like it’s rare that anyone has ever known what to do with him. There seem to be very few classic Iron Man stories compared to other Marvel characters who’ve been around for 60 years. I think that issue is just more obvious to people nowadays, because the movies have put a bigger spotlight on Tony than ever…

And it should be an afterthought. This is a Japanese film made by Japanese people, primarily (but not exclusively) for a Japanese audience. English localization is the job of the western companies which license it, not the original production team.

Okay, you’ve completely lost sight of the point here in your desperate quest to accomplish....something (at this point I have no idea what your endgame is here other than to fanatically defend every asinine thing Discovery does.) But since you like “financial data” so much, I’m going to let financial reality have the…

I mean, I enjoy a good modern day anime here and there, (have you seen Mob Psycho 100? I just recommend it to everyone who wants something different) but way too much of the medium is clogged up with flotsam about some boring nerd who gets transported to Video Game Land and there’s zero conflict or suspense because…

It’s just more accessible than ever before now. Pretty much every streaming service has at least some anime (even Disney Plus is releasing some later this year, none of which will be actually made by Disney.) Where nerds of the 60's and 70's had to settle for severely edited dubs of a few select kids’ shows and nerds…

You’re right about the strategic advertising: I saw the same ad for it like five times on Toonami last night. They know where their audience is.

I’m willing to bet that the only reason they’re still on those platforms is because of contracts requiring them to be on there for a specified period of time. Once those contracts expire (which for all we know, could be a year from now or could be next week) they’re gone.

Holy shit, I have never seen someone go to such tremendous lengths to be wrong before.

The creator of Infinity Train put “my show can only be pirated” in his Twitter profile. These people have no fucks left to give.

The Dancing Baby will now cost $350 million per minute to animate.

And somehow he’s never too broke to maintain a $500 million suit of super armor.

Hopefully child services took them away because a superscience lab is NOT a healthy environment for children. Does Reed want them to turn out like those Venture boys?