So, I’ve gone from being so-so on this show to being really very on board. I can understand why some have frustrations with it, but I’m of the school that we should criticise what’s there, not what isn’t, and what’s there is - in my opinion - budding into something really interesting.

I was super impressed by Shazad’s accent, actually. I was fully expecting him to sound Londony.

I can see you, Clem Fandango, and your obviously made up name!

I wish I could recommend this twice. Well said.

Oh yeah, this guy is out of the Greys, but a bunch of legacy commenters are still stuck? I miss Disqus, god help me.

Come now, everyone knows that Bards are the best class.

Quite sure I will be one of many saying this but it’s totally the Sheriff, o he of green eyes.

In music Beck is my veteran pick, and Nadine Shah my up and comer pick because she’s batting at three for three.

Woah woah woah, did you just call Jon Bernthal unattractive? Well I never.

‘You Do’ by Aimee Mann. Not a diss track, just an utterly sad, accurate depiction of a certain kind of woman I’ve known many of, and felt truly sorry for.

I’m excited. S2 was more meandering than the first but still excellent, and as long as Tyrell is there, so am I.

If those three characters are where you’re most invested I would say S2 is definitely worth watching!

I’d argue it’s actually a deconstruction of that. Without wading into spoilers, I’ve largely viewed this show as being the reality of where that sort of tailspin ends up.

How can we contrive like, at least twenty conversations between him and Jorah next season? For ... reasons.

With some time to let it sit, I’ve concluded that this was the worst of their shows. I’m sure I’ll be alone in thinking this was worse than Iron Fist (and that’s largely because my expectations were far higher for Defenders), but by the end I was despairing the weak plotting and thuddingly on-the-nose dialogue. They…

For me its ‘Spirited Away’. Such a beautiful story about accepting change and growing.

The Last Unicorn is so wonderful - but you’re so right, it was really my window into mortality when I was a child. With time, Molly Grue gets clearer and clearer to me.

Nadine Shah is utterly wonderful. Her first album, Love Your Dum and Mad was a powerhouse, too. She’s got a real talent for cutting turns of phrase. ‘Fool’ was one of the best Kiss Offs I’ve ever heard. This new album is delightful guys, give it a shot.

Given your understanding of what makes a good story and the incisiveness of your comments, I’d reckon you’re probably a better DM than you’d say.

2 hour film would be about right, I agree.