It’s different in that Edgar and Lindsey seem to be more self-satisfied than Gretchen and Jimmy have ever been — the latter couple were both looking for something, the former couple already has it.

Did anyone else notice the cinematography shift? It’s like they took the work from last season’s “Twenty-Two” and made it the norm. I like it.

I don’t know about what was broadcast, but the iTunes version had the normal opening in both halves of the episode.

Finally, the tulip-based Dutch Republic period piece the world has been waiting for.

Fair.

I know, eh?

My thought as I left the movie was that I got the perfect blend of Slaughterhouse-Five and Childhood's End.

It said his name in the title on the first paper in the file. "Christopher Nelms."

Fun fact: Shitstain was actually in The Wire.

Sorry, but:

On the nose, definitely, but fitting. I highly recommend them.

Whoops, sorry. Yep, same name, same picture. The Internet's a bigger place than I thought.

Yes.

Unrelated to Silicon Valley and probably a bit weird: I recognize you from Sputnik Music, love your reviews, and I was wondering—any thoughts on the new FR album?

Which National song, might I ask?

Care to elaborate?

Same here. I remember hearing "My Backwards Walk" and downloading it, but I sat on it for a few months and then bought the album pretty well blind, minus the one song.

They were Bichon Frises. Lovely, playful dogs, though I was still on edge during the scene.

That might be it. I'm probably just overthinking and overdoubting myself. Any tips for that?

That would probably do me some good.