Oh, yeah, and there’s worse you could nick from than ol’ Gus.
The Pete Murray Darling Basin Authority
thepetemurray-darlingbasinauthorithy
Daaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaain-tily.
🎵 I got a gal in Kalamazoo 🎵
Chad Stahelski never uses live guns, and he’s about the gun-nuttiest guy in Hollywood now that Charlton Heston’s dead.
As long as there’s one episode titled “Scrotal Recall”.
Ah, Jim. Now hosting one of Australia’s most family-friendly game shows.
Ah, Mike Scully. The man who killed The Simpsons.
EITHER WEAR THE JACKET OR DON’T, FRANK.
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Was that Zimmer, or one of his franchisees? I love the POTC score, but that was Klaus Badelt, with Zimmer only as “Producer”.
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Just as long as they keep the theme song:
I say this with the deepest respect to you, Yellowfoot, but if you do that with the Hamster Dance I’m paying Vinnie Jones to hunt you down and squirrel grip you.
Absolutely agree - he’s not terrible, he’s not an oh-god-change-the-channel actor, but he’s not some great chameleon who can disappear into, and full inhabit, a role.
As good a composer he is - and he’s great - Williams’ true talent is understanding the film he’s scoring for...often better than the directors themselves.
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I mean, there’s - and I’m not saying this is a bad thing - but there’s a shitload of Holst in his work.
Well, more accurately, he saved the orchestral film score. If you go back to the sixties, you start getting a lot more jazz, experimental stuff, with - gasp! - drum kits and electric guitars. Morricone, or Monty Norman’s James Bond theme.
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Faith and begorrah, Iggy Poops, why, Cameron O’Diaz is the very picture of a fair girl from County Tipperary, t’be sure, t’be sure...and totally not some blonde California Long Beach girl who kinda lucked upward from modelling into acting. Look, I love Diaz, but she’s like the...next-leading-brand version of Charlize…
The show better be called "Crazy In The Head, Crazy In Bed".
Armin Meiwes has got plenty of time on his hands.