Every season finale of BoJack is like going from "For No One" to "Doctor Robert" on the Beatles' Revolver — it's fine, it's pleasant, it doesn't even come close to sweeping up the shattered pieces of your heart and soul that the previous episode/track broke.

The A.V. Club

E.T.: The Extra-Terrestrial

Also, Mick Foley's WWF debut was in 96. Lots of pieces being moved into place for that company.

I haven't figured out yet whether to blame Alanis more for Taylor Swift or for Adele.

And to think, you could've been listening to Through Silver In Blood by Neurosis that year.

Can't wait for the Stuff White People Like retrospective.

Watch it go round like a merry-go-round. Going so fast like a merry-go-round.

1982 (the year of my birth) was such a goddamn awesome year for genre cinema. Witness:

The recent Ghostbusters remake (of all things) made this point quite well.

I watched that video awhile back, she gave a fantastic, inspiring presentation and she is a truly lovely and talented lady. I keep wanting to check out that Baby podcast she does.

Oh shit, I just realized what happens to RL horses when they've outlived their usefulness. Could this show BE that bleak? They believe in the possibility of redemption, but they also believe in fidelity to the way animals are actually treated….

Unbreakable Kimmy Schmidt went straight for the psychotherapy well within 2 seasons. BoJack's going into season 4 and still not anywhere close to entering recovery. There are no easy answers here, and maybe no answers, period.

Talk about your Chekhov's guns that you don't even know are Chekhov's guns.

One might almost suggest he should make an effort not to be on so many drugs all the time.

We know her stepdad was photographer, that he took weird pictures of her, and that she knows what bear fur tastes like. Do the math.

"Am I doomed? Are you doomed? Are we all doomed?" :(

"#1 Crush" would be too overtly menacing coming from Nick Cave. It needs a singer who can cloak its dark undercurrents in genuine vulnerability.

Belief in Whatever is one of the most important 12 steps.

Sometimes I get the sense that Roger Waters really wanted to write musicals, but ended up in rock n' roll by accident.