Post your M-lists if you've got 'em, show the world your Accumulatory Auditory Vomitorium (which would be a much better name for this feature, shoutout to Vassago Gamori and his awesome, weird, diverse collection for the proper terminology). This oughta be a good one:

Add Johnny Depp to the list, if that episode were being made today.

-FUCKER!

MOTHER-

Holy shit, El grows up to be Scarlet Witch!

Thank you for reminding me there's a new Lionel Shriver book. I can't wait to read this.

All those whipcracks sound pretty fucking amazing too.

Best opening sequence in movie history. Every shot, every second is perfect, from the fade-in on the mountaintop to the snake on the plane. If Raiders can be said to have a flaw (it can't), it's that it never quite tops the sheer exuberant joy of the beginning.

*takes roids* POWER UP!

It was weird to see the kids all return to their old lives back to normal, as if they hadn't uncovered some of the most significant revelations in human history. Kids really take things in stride. I want to see what they do next, with this knowledge. I want them to somehow KNOW El is still out there somewhere and go…

I just about fucking cheered when Steve turned around and went back in the house. It's amazing how they got my feelings about this character to do a total 180. I got played like a drum.

Of all the Spielberg homages throughout the season, I can definitely say I wasn't expecting a reference to the scene in Saving Private Ryan where Tom Hanks fires his tiny pistol at the approaching tank, only to watch it explode. That's what I thought of during the Lucas slingshot scene.

Am I the only one who wants to live in BoJack UnderseaWorld? Not having to talk to people doesn't sound nightmarish to me, it sounds absolutely fucking blissful.

Ginger Snaps is the best one I've seen.

Writing a new song, first attempt since last September to actually have a skeletal structure and an early lyrical draft after multiple false starts. It's extremely basic and simplistic, even for me (I tend to write really chord-heavy punk-folkish pop songs), but I'm kinda digging it.

I feel like a douche every week for starting this. But I have personally found it helpful to sort of track my lack of progress, plus it probably gets more replies than the majority of the shit I post, so I keep doing it.

One time I scientifically/mathematically proved that the most un-rock n' roll song title of all time was Jimmy Eat World's "Cautioners". The song itself doesn't rock very much either.

Nah, Trish and Lita would've been legendary whether they worked with the men or not.

The Boys have a rock-solid reason to keep their secrets: If any adults find out they're harboring El, she'll go right back to the bad men. Joyce tries to get Hopper on her side at first, but he doesn't join up with her until he does some independent digging of his own and finds out something more is going on. Nancy…

Rarely has such a great gimmick been squandered on such a lousy performer.