“Better than Boba Fett and Obi-Wan” is a masterclass in damning with faint praise
“Better than Boba Fett and Obi-Wan” is a masterclass in damning with faint praise
This show lost me when the galactic government didn’t think it was a good idea to chase after a bunch of treacherous thieves who tried to assassinate a general and stole the equivalent of 6 aircraft carrier power plants, and that general couldn’t put together a coherent argument to chase them that wasn’t about the…
Sadly the only work that, to my mind, comes close to the frenetic chaos vibe of the original Pinocchio is probably Oz. The rest of these are fairly straightforward stories, with the possible exception of Don Quixote.
Kindly go fuck yourself up a hot stovepipe
Considering the rest of the show looks roughly super-sentai level of FX, I’m betting on C.
This is 100% what happened. I wish they’d hurry up and get this extremely-obvious twist over with so they can move on to “whoever SENT the cookies poisoned him!”
a live action adaptation of a shit-weird-french-animation kids show? i am there for it
Some of it is just trying to milk as much content out of two episodes of TV as possible (this piece is about end credit music, I mean come on), but it is pretty great not having to worry about whether one show will satisfactorily reconcile 15 years worth of other shows (spoiler: it probs won’t).
Sucker Punch is great so long as you approach it as 5 super long unrelated music videos someone glued together
I’m not super familiar with the timeline, but Ahsoka has to be like 8-10 years older than the Mandalorian, and this show is contemporary with that one
[CODEC BLEEPIDTY BLEEP]
Babs Bunny and Buster Bunny (explicit relation) seems very wrong, to me
I’ve always appreciated how happily and wholeheartedly Tennant embraced all of the silly bullshit that comes packaged with Doctor Who
You can’t put together public health proposals to address or mitigate the problem unless you can clearly, scientifically define exactly how wet the water is and how much of it there will be. There’s probably more actual real world value in this kind of study than 95% of all basic bench science.
It’s crazy how terrible contemporary effects look on a TV. It’s bearable on the big screen, but insanely bad at home.
Probably no more than commissioning any other kind of work counts as authoring it. Patrons set general parameters and tell the artist to go do the work, but the copyright rests with the artist unless they give it away or sell it.
I've been trying to decipher this for the last 12 hours and I remain BAFFLED
Because it very clearly and obviously was? Mario - the property and the character and the video games - is for small children. That has always been Mario’s target audience, since the NES/Famicom (a toy for children). Just because you grew up doesn’t mean the little guy who jumps on turtles did. The movie runs on a kid-…
Dexter Jettster contemplating the ineluctable loss of all things? Now that’s some pure uncut Glup Shitto
Okay but I don’t think it was mindless garbage? Was it as complex as, I dunno, Turning Red or the Spiderverse films? Of course not, but those movies are for older audiences.