He found out about Ministry, slam poetry and slavery all in the same day!

LOL, Kanye was atrocious, a new low even for him.  I give him props for trying something new — slam poetry, was it? — but the off-key shrieking and, far worse, whiny self-victimization are a fucking joke.  Five seconds ago he was on a gold throne with Jay-Z reminding us he's the king of the world with more money than…

What that happens in the book it pissed me off so much I stopped reading before then and never even saw the movie.

Ah, you're sandbagging it.  No one thought RAM was going to be "wall-to-wall club bangers" — DP has been saying all along the record was going to be disco, disco, disco.  But really the only proper disco song is Get Lucky, and a majority of the remainder aren't even at a disco tempo.  Half the tracks are slow, and…

If the third movie revealed that Neo's extra-matrix abilities were possible because really there's a Matrix inside the Matrix, I might have stayed with it.  But the second he started having real-world powers, well . . . that's just stupid.

Particularly insofar as after the end of the first picture, we know Neo will ALWAYS win the karate battles.  Yet still there he goes, karate battling every motherfucker than comes on screen for like, 19 hours of combined karate battling that NEO. ALWAYS. FUCKING. WINS.

Heinlein is always a dirty old man.  More than one of his books feature casual incest and other pervy shit that he just brings up like there's nothing to it.

The new Daft Punk!!!  We've been hearing disco record, disco record, disco record for months now, and then BOOSH, the first track is "Get Lucky," which, indeed, is some fat-ass disco, and everybody's stoked on that, it's a fucking Chic track with less good vocals but we'll take it, and so now we're ready for 60 more…

Very well said, and spot-on.

Hey, what if we have the mutated space worms rear up like cobras about to strike?
Yeah! And then the dudes just laugh at them, cause, like, they just got high by smoking weed through their helmets, and they're just all "fuck you space cobras, hahahaaa!"  And then BOOSH! they get attacked!!

Annnnnd I said the same thing up there.  Didn't they initially film the Smith version with people, then over-laid the CGI nonsense?

The minute the CGI vampires come on the screen, it's over.  I mean, the goddamn Paul-Williams-in-whiteface hooded idiots from Omega Man are more believable than the bullshit CGI vampire people.

That's close — I think he's saying Super 8 is cynical because while Spielberg used a divorced mom and estranged kids in ET to make a bigger point about the value of being with family, Abrams used the same tropes because Spielberg used them.

Ahhh, perhaps our difference of opinion is born out of the concept of "subjectivity."  I like the movie; seems you don't.

The Unvanquished!  It's his most linear work, and has all sorts of amazing action and visuals.  The scene of the ex-slaves marching north at night and flinging themselves into the river would alone sell the movie.

THE MISFIT!

It's harrowing to watch Sean Penn playing the world's ultimate asshole, a total abject piece of shit, getting screwed over and over and over again, and then, just when you think somehow the gods are going to let him at least get out alive, BOOSH, Stone levies one of the best all-time FUCK YOUS of any movie.  I mean,…

Shit! The album sounds great so far, the robots really decided to go for it and make actual, engaging music.  Stoked for the album, even more stoked about the effect it could have on other EDM artists.

Miami Vice doesn't have 2% of the insane kinetic energy of U-Turn, which is like watching an electrified superhero Oliver Stone give birth to Jim Thompson on radioactive acid.  That movie is SO fucked up, and has one of the most diabolically evil endings on record—there's really nothing like it.  In many ways, it's…

I'll go with: