She’s really funny.

The myth of American and boot-strap individualism has created a whole population of egotistical, self-interested monsters.

It’s insanity that our government was so incompetent, so cruel that this was allowed to get as bad as it is. We knew as early as January how bad this virus could be when stories were coming out of China, and our government did nothing to prepare us. I heard reports from China about the rising death toll, how bad it…

It’s going to be a hell of a burden on these young creators to pull BA back from the hole it dug itself into, and I don’t know whether Condé Nast deserves the talent they were blessed with. I don’t envy the new hosts, but I wish them the best, I suppose. The brand’s unfortunately tainted for me.

Adore this show. Am I said that it’s ending? Yes. Am I excited to see where it goes? Absolutely. Can’t wait to cry while listening to What We Have is You again.

So why then panic and freak out about the reveal of her true origin?

I know I can roll my eyes at Alan Moore’s recent takes on superhero works—see the article adjacent this one—but god damn, the man’s Green Lantern concepts are some of the best ever put to page.

No Jon or Kyle. :(

No Jon or Kyle. :(

A talented author and artist who has no doubt earned some of his cantankerousness due to his treatment by the industry, but at the same time: *jack-off motion to this story and take.* We get it. There’s nothing here that needs to be repeated.

I think back on those first few hours of the campaign, and I grow jealous of Earth-132422, where the campaign stayed that way, and the multiplayer/live stuff was silo’d off into its own thing. I hate that friggin’ War Table, and I’m tired of fighting AIM.

Haven’t dipped my toes back into Destiny 2 since maybe Year One/Year Two of launch. I was a big-time crucible lad, and whew, that game had satisfying gun combat. Haven’t gone back in a while. Maybe I should.

Excellent episode. I enjoyed last week’s episode, too, but this one, this one kind of captured everything I love about this show. 

Betty Gilpin’s a wonderful actor. The entire cast is filled with wonderful actors. They will probably all—if the world has any ounce of fairness left in it—go on to successful careers. But God, I loved watching them all hang out and strive for greatness on this show. I hope they do give the GLOW cast an opportunity to…

Betty Gilpin’s a wonderful actor. The entire cast is filled with wonderful actors. They will probably all—if the world has any ounce of fairness left in it—go on to successful careers. But God, I loved watching them all hang out and strive for greatness on this show. I hope they do give the GLOW cast an opportunity to…

Betty Gilpin’s a wonderful actor, and, holy hell, a wonderful writer. The entire cast is filled with wonderful actors. They will probably all—if the world has any ounce of fairness left in it—go on to successful careers. But God, I loved watching them all hang out and strive for greatness on this show. I hope they do…

So, that’s...three majority woman-led shows that got the ax after being renewed? Is that what I’m reading?

This rules but it’s also not surprising because, frankly, I don’t know that I’d recognize Gary Oldman on the street. The man’s one of the few working actors whose face seems to completely disappear and transform into whatever character he’s playing. And if he’s clean-shaven? Lost. 

Bless Al Ewing. 

Futurama had my favorite example of A.I. in that the robots all just became like, people. Bored, lazy, and often useless. Anyway, Slattery’s always fun/good so sure. He deserves a shot at the lead.