That looks cool as hell.

Espresso’s a banger. Please Please Please is OK, but it does have that one “mutherfuhker” that is like ASMR.

She’s awesome in Evil. Her character should be utterly insufferable/despicable, but man, she’s so good that you want her to get a win, even at her worst. (The glass ceiling joke from the latest episode works so well because you feel her rage emanating off her.)

Yeah, “Espresso” is that good. I had never heard of Sabrina Carpenter, but her performance on SNL was dazzling...and that song’s been stuck in my head since.

Bobby as a chef in a fusion restaurant in Dallas.

It’s a J’onn J’onzz series, finally.

Dr. Kristen Bouchard, my beloved. I hope you kick more demon-adjacent dudes in the balls.

I want an episode centered around the dude who inevitably leaves a 1-star review on Yelp because they couldn’t accommodate his last-minute party of six.

Prey should’ve been the beginning of Arkane Austin’s dominance in that arena.

So, we uh, we gettin’ Rinzler back?

lmao jesus, dude.

Lucy continues being friggin’ great.

Watched the first episode, and I had a ball. Very fun. Ella Purnell’s great. “Okey doke,” indeed.

Seems like we’re getting some strong content on here again. Thank goodness. Good interview!

I agree. But...nobody has had a better sitcom kiss than Nick/Jess from New Girl. They really go there.

Honestly, pretty good explanation as far as those go.

Think what we got was a good ending for what we had, but...I also kinda think Nolan and Joy are some of the few creators that nail endings. The Person of Interest series finale is maybe one of the best network finales in recent memory. Everything logically follows and gives closure without completely closing the door.

Ready Or Not was maybe my favorite theater experience of that year, and it had plenty of good ones. It was so fun! The ending was near perfect, though. So, hopefully the script is up to par.

“Ah, nevertheless.”

On the strength of Russian Doll alone, or maybe the pitch was that strong? Like, I don’t need or want Star Wars shows to be helmed by people who have only worked in sci-fi/fantasy. I’d rather watch spectacular failures that tried something different than boring failures that played it safe.