Life is full of weird moments where we feel bad about not getting something we don't really want.

I'm not so sure about that—they seem to slowly be building towards a TV version of Crisis on Infinite Earths, in which Rip Hunter plays a key role.

In the musical version of The Addams Family, Fester is in love with the moon. His only featured song is the love song "The Moon and Me."

A high school classmate of mine plays one of the detectives in Saw IV and Saw V, which is why those are the only installments in the series I've watched and the only reason why I would watch any continuation of the franchise.

I was always more of a Rags to Riches guy myself.

Ahh, you're actually thinking of Cock Rock. Common mistake.

The Robin Sparkles profile on MySpace was also excellent, as was the full version of the "Let's Go to the Mall" video.

I think this wave is actually about something beyond simple nostalgia—a desire for an entertainment world where our favourite stories never end. We've gone past the wave of rebooting and remaking those stories because we seem to have discovered we'd rather just continue the original versions.

Only trademark protection requires that. Copyright protection continues regardless of its enforcement—the infringement is just as valid if the copyright-holder first spends time looking the other way.

I used to see him a lot when he was teaching at the University of Manitoba and I was a Film Studies minor there—though sadly, I never took one of his courses.

I also grew up (and continue to live) in Winnipeg, have seen this movie a number of times amongst its many revival screenings here, and one of my oldest friends fits this local fandom profile perfectly.

As a lifelong lover of Winnipeg's live theatre scene, this comment brought a warm feeling to my heart…all the better to help with the winter!

The Alliance, by contrast, does have some legal form of slavery, as mentioned on Persephone in "Shindig" (for example).

American Graffiti is set in 1962, so "having" it has nothing to do with the Fifties.

It's an entirely different kind of book!

Having the billboard now read "SeaNN" was a nice touch.

GRINT!

Thanks, but I'm holding out for the spaghetti harvest.

That would be a crazy (and awesome) twist.

The Single Guy was, if nothing else, my introduction to Ming-Na Wen, so it gets a pass from me.