Gone With The Wind benefited from being one of a few limited options that people had to see at movie theaters, and for a much longer run of time than any modern movie gets. We’re talking like more than 2 years in theaters.
Gone With The Wind benefited from being one of a few limited options that people had to see at movie theaters, and for a much longer run of time than any modern movie gets. We’re talking like more than 2 years in theaters.
And contrary to any narrative that foreign audiences wouldn’t like a black hero, Black Panther did better overseas than both Spider-Man: Homecoming AND Thor: Ragnarok (and by a roughly +$100M margin too), which I think makes its slightly-higher domestic haul even more impressive.
I preferred B5's failed spin-offs to any of Stargate SG-1's.
“You are technically correct. The best kind of correct.”
Another DC fan’s tears of unfathomable sadness. Still yummy!
Archer was well up its own ass long before the coma years, so trying to make them the scapegoat isn’t going to work.
Is it though? He had his mouth covered at the end of Avengers and no lines after his beat-down by the Hulk, but one has to assume that getting his posterior delivered so decisively into his own hands had some kind of effect on him!
It’s the lack of Ant-Man love that I’m most disappointed about.
Star for the perfect Hot Fuzz reference.
Yeah, the fixation on the spy premise seems weird. It was all just decoration for the jokes and had no literal impact on anything. They were, in fact, some of the worst spies in the world, for anyone paying attention.
Any proper cat custodian knows that you have to pet the butt to get them to arch properly.
Yeah, but she’s not wrong.
10 hrs x 30-odd characters?
Unless there’s more to the roster than that, I see some glaring disappointments.
Rounder bolder, square hallway? There was room to lie down, at least, in the space between the boulder and the corner.
discontent that started at ire, blew right past indignation, and settled in as just the latest expression of the internet’s ongoing addiction to rage.
Netflix is the new SyFy, complete with a “Cancel after two seasons” business model. That must be why I found it so easy to cancel my subscription and tune the entire streaming platform out.
But very little that he builds lasts beyond one book. He fucked up with the ending of the first book and the extent to which the third relied on flashbacks only shows that he knows it.
I found the plot device used to separate the characters at the end of third book to be particularly weak.
HAHAHAHAHA, good one.