I've never really bought the Rucka writes novels-as-comics argument but Stumptown is probably his most bogged down in details book. It also has a stunning sense of precision and movement in art that I think people forget.

It's far from the only good Wonder Woman run but it's probably the best modern run on the character.

There's a lot of words to describe Stumptown but "actually sort of weak" aren't some of them.

It could also almost be Queen and Country.

Wait, are you bitching about Gotham Central?

That's probably fair. I like Rachel McAdams and Ryan Gosling a lot but don't really remember much of the actual movie.

I put it more around the Carolinas.

I really like Bitch Planet but I greatly prefer Pretty Deadly. I don't think Bitch Planet always manages the divide between exploitation and critique of exploitation as well as it wants to and I love the lyricism and mythmaking of Pretty Deadly. This was certainly one of the best issues of the series yet.

Yeah, it's really fascinating to me. I think we're all pretty aware of mainstream culture's appropriation of black culture in music and media but online, people almost turn a blind eye to it. Self-professed progressive websites seem to really fetishize things like the Zola story to a point that seems, I don't know, a…

I'm tellin' ya, this police state we're living in…

My favorite thing about the ads for this is that the two dudes seem to look exactly the same, which is mystifying to me.

I hope.

"A NEW TRAP? OBAMA SETS UP CRAIGSLIST INFLATION SCHEME IN MIAMI!"

The only one I think I've seen was The Notebook, which I remember being fine and obviously not meant for me.

The weird thing about the Zola saga is it clearly gained a lot of traction among black twitter users before becoming, in the ways a lot of online content is, an object of fascination for everyone else. To me, it says more about the people who consumed and trafficked off of it than anything else.

Got all the seafood and, depending on your location, some of the barbecue.

"Dikachu, I need you to bother me."

Depends on what section you're in at the time. Either way, you ain't comin' home clean.

Just picturing a ghost trying to enjoy a quiet Ferris wheel ride at the beginning of The Notebook, increasingly getting peeved by these fucking teens.

One of our accents will stay and one o' them w'll go.