That whole big build up to the attic of the cabin was a bit over-dramatic. There’s been people horribly dying all around, an old dusty skeleton isn’t that shocking.

Agents of SHIELD is clearly the best of these. Or Legion, but that’s a whole other thing.

So like a recent Terry Gilliam film.

I thought getting her side of it was the whole point of this? Why even bother rehashing it all from the same perspectives as before.

There’s only so many times a person can say hi to their mother.

If you get a chance to drop a CEO, you take it.

Still not really that interested in an artist re-recording their old songs to make more money.

Rich and famous people are completely insane.

Oh god, who cares.

I mean, I liked her as an actress before this. She was really good as Shuri. But still, obviously not worth her intentionally putting people’s lives in danger.

Not if they fire her, it doesn’t.

How much do I have to pay for a version without all the Nazis?

Unless your next words are proving that you got the vaccine, no one cares anti-vaxxer.

I really don’t think that’s true. “I’m not an anti-vaxer but I just have problem with THIS vaccine” is standard anti-vaxer language. Andrew Wakefield himself said exactly that.

Ambiguity is a part of stories.

He didn’t actually do that, your headline is just lying, you click-baiting sellouts.

Well, it has a great ending and those people were dumb.

It really felt like season 2 was expecting me to be invested in a bunch of subplots that the show itself had never had much interest in before. Is Earn a good manager, should Earn and Van be together? I have no idea because there’s not much to go on.

I don’t think this new Play-Doh ad campaign is going to catch on.

I thought it worked ok going from “Is John Goodman crazy?” to “Ok, John Goodman’s right about the aliens but is he also crazy?”.