I feel like tight close-ups and quick edits define bad shaky-cam movies and Quantum of Solace is defining a guilty party. That opening car chase, though. Good God.

Their verbal repartee in Casino Royale is fantastic. Their wit is very British wit, probably the most of any recent Bond flick, the more I think of it.

The Asset fight at the end of Jason Bourne is the antithesis of clean chaotic editing of Supremacy and Ultimatum. In those movies, Greengrass gives you a lot of visual information on the moves, the choreography, the spatial orientation. It's surprisingly coherent, despite given the shaky cam moniker.

Here's a secret all the nerds won't tell you: It's merely okay for a movie, especially since this is an Edgar Wright film…

I hope AV Club is prepared by the amount of fanboys who will likely call them heartless for labeling the film as "uneven" and not shouting its praise loud enough…

It was fun during that scene figuring out where the sincerity ended and where the manipulation began.

Oh boy!

Diego Luna movies have that effect on women.

The Rock starring in shitty B-movies I can handle, what I can't take is that he legit wants run for president, inevitably leading us toward a President Camacho future…

Was Marcel Marceau also an asshole? I'm confused by this casting…

No joke, I saw Seth McFarlane in his Galaxy Quest get-up and I presumed he was planning to violate that movie…

There's so much evil in the world, I had no zero idea that included the programmers at ABC…

The flashback from BB takes place in 1989, as I recall. Hector and Gus had a lot of coloring and volume to their hair.

Agreed. Mike is fastidious by his very nature, which is why him and Gus have a great working relationship.

Chuck is ultimately a lot more like Walter White in that way. They are both excellent manipulators but they're ultimately taken down (we'll have to see how it goes with Chuck) by their own hubris.

After watching that last scene, I like to think that Forrest somehow set up the shot and graphics by himself and maybe even edited the episode together.

I caught T2 at a free screening earlier this week and I really enjoyed it. This review makes it seem like it's built more on nostalgia than it actually is. In a way, its more standalone than sequel.

When it's revealed one day that Alex Jones hasn't taken his psychiatric medication in 25 years, it will be a great day for all mankind.

Fuck, could we not do this? I'd like very much to avoid a future of Dwayne Mountain Dew Camacho presidents, thank you very much…

I choose Con Air because I could see more it having more of an lingering impact, as far as the aesthetic it left behind.