Lie-mond and Bilk.

Cubic Zirconia and Rag.

It was limited in scope honestly. Mostly around evangelicals who think Satan is in everything. A few pastors preached fire and brimstone about it, some held burning sessions and when the public’s focus shifted to the next big thing, so did they. My pastor agreed that there were some ‘dark’ elements to it, but he and…

He was likely trying to cater to the moral panic that briefly sprung up when Pokemon was still fairly young, but was becoming part of poplar culture. Well that and money. It’s usually always about money tho.

They’re literally trying to kill as many Americans as they can before they’re forced out of office.

Speaking of Spidey, it also probably doesn’t help when the biggest story to come out of the game was “They locked Spider-Man out of the Xbox and PC versions (but the retail price is still the same so enjoy paying the same amount for less content.)“

Crystal Dynamics is no Insomniac. Not really close.

*pours one out for Sleeping Dogs*

It’s one of those things that I will never, ever forget. If, heaven forbid, I experience significant cognitive decline in my later years, I will still remember seeing that VHS case at Blockbuster and chuckling every single time.

It reminds me of this. An action movie starring Swayze, Norris, and McQueen?!?!?!

Maybe, but Mankind Divided was also a significant step down in quality from the previous outing. Square Enix’s problem is very simple: they keep expecting A-list sales for B-list quality games.

A little stylization in the art style would have went a long way with this game. Didn’t need to go as far as MUA3, but just enough that we’re not expecting everyone/thing to look like a real world version.

Should have made sure the game itself looked and played like a AAA game before marketing it as such and asking websites to talk it up.

These are the same people that said Tomb Raider and Hitman selling 3mil+ copies each were failures.

“Try rolling”

I feel like anytime you find something like that, it starts out as a reasonable death. Someone thought they could climb or jump something. But then it evolves into people seeing so many ghosts there, they think there has to be a reason. So then everyone starts dying there trying to figure out what they’re missing. But…

Why do I visualize this entire conversation with no eye contact from Miyazaki, who spent most of the interview walking away to the next piece of trash. 

not only that but he actually seems pretty chill about it, he doesn’t care that his movie isn’t the biggest financial success anymore because it’s irrelevant to his art. he loves making animations rather than watching them which is interestingly a common trait among artists. they would rather spend their time making…

For real. To everyone thinking “oh, he seems grumpy” or “I bet he’s fun at parties,” how would you like it if your day was interrupted by an unsolicited, unwelcome interview about something you know nothing about?

For fucks sake just leave the man alone when he’s taking out the trash.