Chris Christie would make a good Jeff Garlin.

I've always said that after the events of L.A., Al Powell and family packed up and moved to the windy city for a quieter, more peaceful life.

DIE HARD ORIGINS: ELLIS is the only prequel I'll accept.

THREE MEN AND A BABY is my ultimate go-to, feel-good flick. I know it'll never happen, but I remember reading something recently about a possible third film entitled, THREE MEN AND A BRIDE. Damnit, Hollywood, for the love of Peter, Michael, and Jack, make it happen!!! Cast Hathaway as Mary if it makes you feel any…

Was gonna mention this. Just proves how awesome the man is.

I'm into it, if only because this might be the only shot I have at Kate Mara showing up at my doorstep.

But Hustler will still have pee… RIGHT???

It seems as if my life's work has been - and will continue to be - defending TEMPLE OF DOOM. You're either with us… or you're with the Nazis.

My friend & I have been doing Richard Kind impressions for years, so thank you for this. He's just a guy who seems impossible not to like. In fact, if you haven't yet, check him out on Gottfried and Pollack's podcasts. To quote him - or rather, my impression of him - "Why, I think… I think they're just great!"

My pick would be Richard Kind. I even suffered through an episode or two of "Gotham" for the homey.

Probably the worst trailer, in terms of giving away the twist, would be that of THE NEGOTIATOR. (SPOILER FOR A 17 YEAR-OLD MOVIE AHEAD: Sure, it's a Hollywood film with two likable leads so it shouldn't have been that much of a surprise, but did the trailer really have to reveal that adversaries Jackson and Spacey…

I've always felt the EXACT same way about that fucking soundtrack — it makes NO sense. Not to mention… Bone Thug!?!?! Can someone do a piece on that please?

To this day, that first trailer for CLIFFHANGER - set to "Requiem in D Minor" - still gets my pulse racing. It's also a classic example of the trailer trumping the actual film.

Jack Ryan should go up against Jake Ryan, the dreamboat from "Sixteen Candles."

I would prefer that than the aborted CBS pilot that never went to series.

A VIEW TO A KILL will always have a special place in my black heart as it's the first Bond film I was exposed to. Having said that, I watched it again recently, thinking, "It won't be good, but it'll still be dumb fun."

But I would argue that with those sequels, shitty as they are, the tone and character were more or less consistent with what had been established prior. COP III comes off like nobody had even seen or heard of the previous films.

CADDYSHACK II at least has the good fortune of having the awesome Loggins jam, "Nobody's Fool," so I can't completely hate it. COP III has nothing to offer.

I look forward to suffering through that. It's playing for a buck-fifty at the second-run theatre near me.

BEVERLY HILLS COP III is absolutely the worst sequel of all time - stop with your BATMAN & ROBINs and GODFATHER PART IIIs - and yet, every god damn time it's on, I'll suffer through it. Mainly because it's amazing to me that adults are responsible for every single thing that made it to the screen.