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Em’s been trying to offend people and then complaining about people trying to silence him for his entire career, especially in his Slim Shady persona which this is explicitly a return to / culmination of. Actually being shocked by any of it is just playing into his hands.

Eminem has been shit for way longer than he has been great. He had a stellar run of albums in the late 90s and early 2000s. And now he continues to dump on his legacy with every new release. This has nothing to do with his politics, it’s just obvious that he’s tired and has nothing to say anymore.

What’s especially weird is Seinfeld jumping on the “everything is too woke now and no one likes dudes being dudes” train considering none of that was ever inherent in his comedy. That stuff was for Ricky Gervais or Tim Allen or maybe Bill Maher and apparently Dave Chappelle, but Seinfeld’s comedy was always about as

Podcast guests always think everyone wants to hear their opinion.

Wealthy men always think everyone wants to hear their opinion.

None of this is really that surprising for a wealthy 70 year old guy to say, but I do wonder why he thinks anyone wants to hear it from him.

I really hope McHale shows up at the restaurant and tells Carmy he has to calm down, he’s acting like a nut.  

All this Crow coverage is making me feel so fucking old

I remember liking Judgement Night but I suppose I have not seen it in like 30 years

The disappointing movie, The Saint had an interesting late-90s soundtrack.

This soundtrack remains one of the very best ever. And somehow, I’ve seen about half the bands on this CD live in the last 5-10 years (just saw Helmet play Milktoast last month!). Even saw the corpse of Stone Temple Pilots at one point. With all the nostalgia tours going on these days, I can almost guarantee that if

the epitome of 90s movie soundtracks: singles

My Life With The Thrill Kill Kult was basically a band that only existed in 90's movie soundtracks.

It’s a phenomenal soundtrack. All the songs make sense in the context of the time period, source material and film itself, which I really don’t think modern soundtracks manage to pull off.

Honourable mention to the soundtrack for Escape From LA, which aaaalllllmost reaches the heady heights of this one, but I think

My friends and I practically played the Armageddon soundtrack on a loop. 

Somebody needs to write the piece about the Judgement Night soundtrack someday, which is such moment-in-time thing so specific to the early 90s that helped form a generation of metal/rap white kid goons. It is both an incredible snapshot of that very specific pop culture moment, it involved just a murderer’s row of

The X-Files movie soundtrack was good stuff.

The Wallflowers’ cover of Heroes is certainly essential.

“Burn” is an incredible song, and it becomes damn near transcendent in the context of the movie. Maybe even the best Cure song?