I had an interesting thought recently: What if they let George Lucas helm the next Star Trek movie?

And the tradition continued with the Abramsverse Trek, with barcode scanners serving as throttles on the navigation console.

What's the conventional wisdom these days on how much time passes between the 50th and "Rose"? It wasn't enough for him to have had a look in the mirror yet… right?

What about his tiny head?

I like the idea that the waiting room is such a damnable place, even ghosts age there.

Oh my god. That's perfect.

I really hope that Beetlejuice 2 starts with the same waiting room and he's still there having aged in real time.

Headcanon is that all those events that Rose found out about happened between

Internet Nutter = Clive.

I'm glad Mark Hamill's Joker is #1, or there could have been trouble.

GIANT RAIL GUN.

Gizmo

For one thing, patients die on a regular basis on Scrubs; on House, it's very rare. (Somewhat ironic though understandable too.)

Sure, but real court rooms are way more boring than TV ones too. I figure it's just "these are the handful of briefing room meetings that are actually interesting to watch".

I am all for remastering! But I want the people behind remastering to know the difference between remastering and tinkering!

If the originals have been damaged or degraded over time then of course remastering is the proper course. If the effects look dated, like ST:TOS where you can see the compositing in the space scenes, a case can be made. But taking 4:3 and turn it into 16:9 which either cuts the top and bottom off or expand the shot…

The thing I liked about HOUSE was that he was wrong just as, if not more, often as he was right. He would get the diagnosis wrong the entire episode right up until the last 5 mins.

You know, Ford really did quite a thing with that line. It's hilarious. As Kevin Smith said Han answers her "like a pimp".

I think we forget just how radical Jack was as a character. In the future who you love doesn't define you. But to state that on prime time TV to a family audience was a big, bold step.