dood, chill: look at the other responses to the post - you’re taking this way too seriously...

it’s probably my favourite movie of his, but the Academy is going to find it tough to overlook an historic first. And if he does win, it’s going to look like “old white guy” favouritism. ugh.

why is Revolting Rhymes getting a nomination now? It was on the BBC a few Christmas’s ago.

“a historic nomination for Rachel Morrison for Mudbound,the first time a woman has ever been nominated for Best Cinematography.”

thats really good point - he was exceptional in Bridge of Spies.

well? What sort of fox-girl is she? Don’t leave me hanging...

woah, good shout! (Though I heard Himmler could do a brilliant impersonation of a police car siren. Around Adlerhorst, he was known as menschlicher Klangeffekt)

a planet where almost everyone else speaks with a British accent, and the landscape looks a lot like Ireland.

to quote Norm MacDonald, the more I hear about this Adolf Hitler, the less I like him...

I love the idea of Adolf listenting to those guys and thinking “dooood, I fell ya, but back it off a bit...”

hey-yo!

I’ll be glad to hear the end of his dopey accent. What exactly is it supposed to be? High Ponce English?

Fatherland was a terrific read. Is it considered the first “alt-history” novel? Or is that Man in the High Tower?

Shia AND crap CGI. Total highlight.

the fridge, Shia and the crap CGI at the end.

love the acting* in that coffee shop scene. Barbara’s reach for the coffee is great, but I love Frankies “are you seeing this?” gesture. Lovely stuff.

Harpo.

“hopefully more mature”

no, shut up, you’re crying...

had no idea that Cars was a hit in the US for Gary Numan, but his signature song has to be Are Friends Electric?, right?