When I was barely out of high school one job I worked basically played nothing but Phil Collins, Jessica Simpson, and Celine Dion on a loop. It almost drove me insane. My brother is actually a huge Phil Collins fan but I just can NOT listen to him at all because of that.

Adding another to the list: "Heartbreak Warfare" by John Mayer. I already didn't like John Mayer, and that's by far one of his worst singles, but the song kept following me like "Hey Soul Sister" did. So every time I hear it now and it comes up to that boring, limp, wan guitar solo during the bridge, I ball my fists…

Minor example, I have a special hatred for "Hey Soul Sister" by Train. Not just because it's a godawful song, but because it was playing on the radio at every crappy job I worked at for five years because I couldn't find the work I wanted because the economy collapsed when I graduated from college. So I hear that…

An ex of mine got me into "My Little Pony: Friendship Is Magic". Laugh if you want, but I was going through a tough time and a relentlessly happy, funny, cartoon with brightly colored ponies actually kind of cheered me up in my darkest hours. A week before we broke up, she showed me "Cupcakes"…for the love of God,…

Oh, dude, to anyone who hasn't listened to that episode, the second opinions from Amazon on "Jack Frost" get SO sad and upsetting. Even Harmon is affected.

Yea granted the cosmology of the Duck Planet is confusing as all Hell, but for whatever reason June was REALLY not following that one…

Dan Harmon is like the guy from "Darmok", speaking only in metaphor and pop-culture references. His one-liners are killer in that episode. Like when they joke about Mark Addy's character.

I DON'T WANT HIM TO GO.

My favorite was Jason losing it when Howard goes into the unemployment office. "Keep in mind: HE'S A FUCKING DUCK. So he's talking to the woman at the office. Reverse shot? IT'S A FUCKING DUCK."

I think she's best when bouncing off Jason. Jason is the id who reacts on an emotional level. June, being a screenwriter, thinks more logically and tries to figure out what the screenplay is TRYING to do and if it succeeds or not. Paul is a good mediator between the two.

Oh…d-dude, you have no idea. Not only does it fail to accurately represent the series, it fails even at basic film-making, acting, and story-telling.

If we're talking great live episodes, check out From Justin To Kelly, Howard The Duck, and Jack Frost. In the last one, Dan Harmon is the guest and goes on such a fantastic rant about the screen-writer it becomes awe-inducing. He's perfect for that show.

YOU MADE A TIME-TRAVELER PRESIDENT OF THE WORLD. THANKS OBAMA.

…

I put "Listen" and "Flatine" at the top. Former firmly established Twelve's Doctor, latter gave Clara her crowning moment and a truly original, creepy monster.

River, Liz the First, Marilyn Monroe, and whoever was The First Doctor's wife back on Gallifrey.

Thankfully, no one does. ZING!

I rate Series 4 higher than Series 3. "Pompeii" is an awesome episode, and "Unicorn" is just a blast. Donna, to me, is Ten's defining companion. The shit ending her character got is when I started to turn on RTD.

See I think it's the other way around: "Flatline" was the stone-cold classic and "Mummy" was the the not-perfect-but-still-good outing. "Flatline" and "Listen" were, too me, the stand-outs this season. "Listen" for better establishing the Twelfth Doctor, and for looking deeper into his motivations in general. …

I hated this episode. It legitimately made me mad. I can scarcely find anything in it I liked. I haven't been this pissed off at an episode since perhaps "Evolution of the Daleks" or "End of Time".