Please stop pretending that being non-white gives you a get-out-of-jail-free card for being a toy online, herb.

Wow, apparently I’m both fat and white now.

Not everyone who enjoys media is an angry incel, son.

Is Magento a hyper-intelligent shade of purple?

At least you recognize that you’re a dork.

What an ornery loser.

But if every story is just part of the next story, why bother paying attention to any story at all?

Nah, the Trevor twist was awesome.

Nah. The Mandarin was by far the best part of the mostly-meh Iron Man 3. Definitely Black’s best contribution to the MCU, and an appropriate middle finger to a racist caricature of a villain.

Iron Man wasn’t pre-Marvel Studios. It was the first self-financed Marvel Studios film.

Who still measures success based entirely off of broadcast TV ratings?

*Masturbatory kiss.

If you follow all the comic stories, Marvel lore, etc, I don’t see how this episode can be anything other than an A grade. Tons of fun and Johnathan Majors was awesome. Now if you don’t follow any of that, I can see how an argument for the B+ can be made because it is a tad confusing but we’re really picking nits…

The series, as far Loki is concerned, is basically him learning that his incessant backstabbing doesn’t work. Now, your mileage may vary on how that’s pulled off, if it’s even engaging as revelation, or if it any way furthers the character’s arc. His literal falling in love with a version of himself adds a bit of…

I actually didn't miss the action, I kinda embraced it here. I think for me, it goes back to my disappointment of WandaVision where the first eight episodes was a bold, striking, intriguing departure from the usual MCU storytelling, and then it devolved into Visions and witches trading CG beams and lightning. Which is…

As we never actually hear Kang stated on screen, I assumed it was Immortus, especially as it fit Nathaniel Richard’s more reserved manner compared to his conquering counterpart.

Well I don’t know diddly squat about the comics and I enjoyed it all. So I guess they must be doing something right.

You’re wrong. Super wrong. The problem is that the show isn’t what you want it to be so you’re looking at what it IS and finding fault. The pilot is a masterclass in “setting the table”. The final scene didn’t happen “out of nowhere”. It was seeded all along. This is extremely good writing, contrary to your assertion.

So Mare’s daughter lied to her about talking to the victim right before a murder, her ex-husband lied to her about a relationship with the victim of a murder, her mom went over her head to talk to a 4 year-old without her about him leaving their house, the daughter is making a whole documentary blaming Mare for Mare’s…

Frank is a fucking dipshit. He was married to Mare, he should know that if she comes in wanting to speak to you right now, and you’re with a group of people, you don’t blow her off; you promptly excuse yourself and go talk to her outside (like way outside), because she will make a scene. I was yelling at him, “What,…