skdjrjwbhsofkrn
eggs
skdjrjwbhsofkrn

"Can I go now?"

Wait is "Jim Beanz" a handle or that that guys actual given name?

The other night I was at the movies, looking at posters for "Rock Dog" and "Boss Baby", remembering Rick Perry was gonna be secretary of energy and thinking that we may just be living in a broad, obvious parody of America and consumer culture. Nowhere is that feeling more evident than when I hear about the edgy, sexy

The National always seem to be doing things I like and it makes me really wish I could stand their music but man I do not get the appeal at all.

Maybe, it seems like a weird pick for #1 but I guess I can't think of anything better. Even with two seasons in I've already found this to have more rewatch value than Breaking Bad.

Wow I totally forgot about splettnet.net, Richard Splett may be one of the best characters they ever introduced.

I guess pretty much all the dialogue was so… expository, like each character seemed to be making these on-the-nose declarations about their motivations all the time and are all pretty heavily trod archetypes (a solid argument could be made that that presentation is conscious commentary on the way the characters

I loved the Wire and Show Me A Hero and was wrapped up in both within the first episode. I'm finding Treme to be a chore to get through three episodes in, does it come together in a more engaging way later?

Veep is maybe my favorite comedy show but this season was kinda weak and broad for me and not, in fact, fucking primordial. Atlanta's worth getting to, one of the best shows of 2016

I just hope Atlanta and Better Call Saul are in the top 15 (but of course they will be)

I definitely get that reading but honestly don't see Ford as a director with enough (read:any) grasp of subtlety or subtext to be going for that.

Wow that was some of the most arch, fussy shit I've ever seen. Pretty much every line was an expository description of the characters motivation. Ham handed postmodernist structure and a fetishized, blandly surreal glamour, like some second rate tom Robbins audiobook read over a Lady Gaga video. Between the dull

An Inconvinient Truth 2: The Legend of Curlys Globe

I thought it was a hacky parade of archetypes, like almost a parody of a war movie. The Texan who was introduced LITERALLY SPINNING A LASSO was a great unintentional sight gag. Of course that smug naked Tom of Finland motherfucker was gonna actually be a coward, of course the gruff drill sergeant cared in the end, of

I'm surprised Rabin didn't take this one.

Yeah its weirdly limiting that they've set ALL of their games either in western Europe or the Americas (and mostly western Europe). I always thought it'd be cool to have one set during the Russian Revolution or around then, you could incorporate desert and tundra environments (like maybe have part of it in colonized

Interesting that the two most acclaimed movies of the year, this and Moonlight, are both character studies of quiet men who use stoicism as a way to mask their pain. Also I like that in a way this is "Uncle Buck" reimagined as a gut wrenching drama. A truly stunning, elegiac picture of the different ways in which

The not labeling itself important thing is something that stood out for me. It's very much a movie about its characters and is so much stronger for it. Given all the awards hype I expected a message movie with no subtlety and was very pleasantly surprised

Pretty much the whole target market for mountain dew

I was pretty surprised when THIS one ended up being true