Let him cook

Never gonna get a canal job with that attitude, friend. 

fuck off you humorless chud

Oh boy, you just can’t enjoy a little satire can you? I like the little nod to “A Modest Proposal”, not every article on this (or every) site can or should be a hard hitting piece about the car industry.... Get over yourself.

The libs live rent free in this guys mind 24/7.

1. You’re looking for something that isn’t there.

2. You missed the part where this completely wipes San Francisco off the map.

There’s a movie about a guy that create atomic bomb that destroyed 2 city andmultiple games about US invasion of Vietnam and Iraq. Somehow this is where you draw the line?

If you figure a 50 GB game and use AWS numbers, 10,000 copies would incur almost $30k in outbound (AWS S3 to internet) transfer costs - which would end up being nearly $3 per copy.

When I was a kid in the early 90s, games were around $40.

This is emphatically not true. SNES games regularly cost $70 in the early 90s. There were some $50 titles from the beginning, but $60 has been the standard price since well before the 360, and it was in fact significantly more common to exceed that price before that. It was only around then that everything started to…

We used to get a whole lot of buggy and broken games, especially back in the cartridge era.  And they stayed broken.

well what you’re missing is you haven’t seen the movie yet.

the global conflict depicted in Edwards’ thrilling film, which pits artificially enhanced intelligent robots against humanity

Kotaku comments section in a nutshell:

“Oh my god, the free stuff I’m getting isn’t the free stuff I want to get. Fucking capitalism.”

Does SNL really pay that well?

I can tell you didn’t read this article. 

Directed by genre vet Simon West, Expendables 2 is the only one I consider genuinely entertaining. It’s by no means a classic, but everyone seems to finally get why this concept is fun and what the audience expects. JCVD is a great scenery chewing villain as well. 3 is such a botched opportunity but Banderas and…

I don’t think I’ve ever seen such a stark expression of working-class false consciousness as this song and the cultural phenomenon around it. Think about how odd it would seem to people of modest means in any other country—or in this country before 1980—for a populist protest song with a title explicitly calling out…

I watched the trailer and was satisfied to see 50 Cent’s character say, “That’s what I’m talking about”, one of the four mandated Black Person In A Movie lines. (The other three being, “Damn”, “Aw, hell no” and any sentence ending in “baby”.)