IF THE CEREAL IS EMPTY, THROW IT OUT

Season 2 was way more schizophrenic than this season has been. Honestly, I think both this and last season are the most consistent the show has ever been.

I guess I can see things maybe working out for her?

Haven't they? In "Beach House"?

You have to blame each of them for not talking about birth control before they started having sex. Adam is probably more responsible here for assuming he wasn't going to get her pregnant before talking to her about it.

I don't think she had any obligation to tell Adam, but I also don't think Adam should be in this relationship. She seems selfish and manipulative (which is par for the course for just about every character on the show) but she also seems ready to drop Adam at any time. Somehow, this seems just as bad for Adam as being…

My favorite Shoshanna is definitely a pissed Shoshanna.

This was somehow both one of the least-dynamic and most formulaic Linklater films I'd ever seen. For plot/populist Linklater, School of Rock is a joy. Mainstream as hell, kids movie, cliché narrative beats, but it works so well.

Didn't Citizen Kane invent more than half of those cliches, though?

I wouldn't have been mad at all if Boyhood won Best Picture (I was actually expecting it to win) but I absolutely do not understand the people who say it's one of the greatest films they've ever seen. Long stretches of it are dull as fuck, and the lead character could not have been any less charismatic. Even by…

My thoughts exactly. If any four of those films you'd mentioned had won, it would have been a good year for Best Picture.

This is devastating. When I saw the headline I expected it to be a joke. 30-years-old, Jesus Christ.

Or go to the comments section of the first Hollywood Reporter article in this Oscar voter series.

The fact that production took 12 years is honestly more compelling than the actual movie, and I think it's the main reason it's getting so many nominations.

I'm ashamed to say "stubborn as fuck and likes to be in bed a lot" describes me pretty well sometimes.

I also thought it was a Woody Allen quote, but I also heard it's originally an Emily Dickinson quote?

Laird and Caroline are such wacky characters that they seem like they belong on an entirely different show, but I love Jon Glaser and Gaby Hoffman so much that it's difficult for me to mind.

I spent SUCH a long time tonight trying to remember how the hell any of the characters even met Ray in the first place. It didn't hit me until about twenty minutes ago that he initially only knew people through Charlie.

He's still living it up in Iowa, writing his articles made of pictures.

I thought it was a good episode (I'd give it an A-) in a refreshingly, consistently good season. We're already halfway through and have yet to have a real clunker of an episode. The least interesting episode so far this season was the premiere, and even that was solid enough.