shemark57
Shemark
shemark57

👏👏👏👏👏👏

That was also because of poor sound equipment. At Shea Stadium, I've heard, they used the same speakers as they did for Mets games. FTR, I saw Sir Paul a few years ago in an arena, and he sounded clear as a bell. Gotta imagine that if the Lads were still alive and together, they'd sound pretty great, too.

No one's gonna say the fucking Beatles?!!! For real?

BETH DIES?!! And no spoiler alert? You bastard!

I know! And Richard Alpert's (he'll ALWAYS be Richard Alpert to me) understated delivery was so perfect.

Good point. I'm going to look at it that way. Because I prefer your take to mine. It allows me to feel much better about Romero's end.

It was absolutely a plug. They were showing how legalization turned a guy who was formerly a violent criminal into an upstanding member of society. They made a point of telling you that he no longer had a need for the "tons" of guns he formerly had to keep for protection. And it was beautiful.

Since no one else has mentioned it, I have to say that in addition to all the great stuff in the finale, I also loved the not-so-subtle plug for legalized marijuana. Seeing the former criminal Remo a married man with a real job distributing legal pot and having no further need for guns was a nice touch.

With his gun in his back pocket, yet. The only false note in the finale. A character who has been super-smart throughout suddenly turns idiot. After having dragged himself through hell this entire season in order to have his revenge, Romero deserved a better ending than this.

Yep. Marcus? Is he even considered a primary cast member anymore? Mellie?

Oh, of course, that goes without saying. But I think covering up Jake's execution of not only James, but those two women as well (forget their names) is a whole 'nother level of awful. You can be a bad boyfriend and still be a good person. But once you've covered up murder, particularly if your actual job is to

That just shows how two people can view the same scene and come away with completely different interpretations of it. I'm not saying that I'm right and you're wrong. I just saw it differently. I saw Fitz' affect in those scenes as very angry, and his actions as punitive. Sort of saying in a way to Olivia, "Ok, you

I was making an analogy. I was giving an example of a woman being raped or hit or demeaned to demonstrate the different levels of abuse. I was pointing out that all of these things are abusive, and to call the more minor acts abusive does not trivialize the seriousness of the major ones, as you accused me of doing

And really, your logic is flawed. There are different levels of abuse. Just because one does not experience the highest level does not mean that one has not been abused. Am I trivializing the suffering of a rape victim if I say that the woman who was merely beaten, but not raped, was also abused? Taking that logic

You win the comment section today!

Is that like when an abuser tells his victim that he hit her because she MADE him do it?

And not even David, if you think about it. Didn't he keep quiet about Jake's murder of James, right in front of him, so that Jake would spare his life?

Thanks. Is that you, Peyton Manning?

I guess we'll have to agree to disagree on this one, but in my mind, sending the Secret Service to empty out her apartment and deposit all her possessions in the White House, and telling her, "You live here now" is pretty much a textbook definition of removing someone's agency. He didn't ask her; he told her. Even

Oh, I think Huck will give Quinn all the attention. He'll tie her to a chair and waterboard her every day.