"EH, KID, WHATS WRONG WITH YOU? YOU WALK LIKE SOME SORT OF… WOMAN CAT."

"Oh, that kid? That's Steve Purplmahn"

His last name is Dulmacher - get it? It sounds like Dollmaker.

You will be pleased with where their story goes, then.

Think about how hard you'd have to hit someone with a car door to not only kill them, but actually remove their mushed up head from their neck. That's fucked up.

Arrow's central plot and characters have just been all over the map this season, and they've really dismantled what made Felicity great. It's like the writers realized the actress could cry on cue, so they decided to write in a scene every episode where she cries and gives a speech about something.

Hard to compare, because network television comes with restrictions (content and budgetary), that a prestige series on Netflix just doesn't have.

They don't show the guy's head being slowly turned to mush or anything - the camera focuses mostly on Fisk during the repeated slamming of the door.

I don't know how the others in Fisk's gang have stopped themselves from throwing Leland off a building. The guy is just non-stop bitching all the time.

Exactly.

He came to the auction because he's a reporter at heart, and was following up on her story himself, and because he's a seasoned crime reporter, he was a lot smarter about how to go into things - thus, he took mental notes on the people around the room. Karen is a do-gooder, but has no idea what she's doing, and takes…

Red Skull was subject to the big problem with origin movies - they have to spend about half the running time turning the person into the hero, and then shoehorn a meaningful enemy into the other half.

Batman and Joker are the most fundamental "opposites" imaginable - chaos vs. order.

I really, really hope we get to see MODOK in the MCU at some point, before the superhero film bubble bursts sometime in the next decade.

You know what still drives me fucking nuts about Man of Steel to this day? That scene where Zod learns to "control" his Earth abilities by staring at his hand for five seconds, then closing his eyes and opening them.

Action scenes where the hero changes size isn't just a Wright idea - it's kind of Ant-Man's entire schtick.

The trailer made it look like it was something on the suit itself - he seemed to be getting those ants to flip a coin on his car dashboard, without wearing the helmet.

That toy train sequence at the end certainly suggests they are fine leaning into the inherent comedy of two tiny people fighting each other.

Sure, but glass doesn't tend to just stick to broken broom handles.

When they revealed that Jon Snow put an arrow in Mance, I unconsciously said out loud "good man".