I’d be very down with a memorial album about your mom full of diss tracks against your mom’s enemies.

An essential question. He knows. It was a stepping stone to other, better work.

I think you mean “Olivia Rodrigo stands to make a whole lot of money from using that Paramore Song.”

This reasonable comment isn’t very hipster.

No there isn’t. Good, bad and mediocre music and everything in between exist all across the popularity spectrum. It’s just that very popular bad music gets a lot more exposure than less popular bad music. And you will hear about less popular bad music a lot less than you will less popular good music.

“Sounds like you had a pretty special and intimate relationship with this hammer and that losing it was almost comparable to losing a loved one.” I loved that line. 

Your hammer pulled you off??

you mean like the Supreme Intelligence in Captain Marvel?
I agree with what Kevin Feige said at the time.. it was gonna be a hot potato no matter what they did, so they went “other worldly” and Bowie was already gone by then

Look at you... a garden of the galaxy.

“I tried to start a revolution, but I didn’t print enough pamphlets, so hardly anyone turned up, except for my mum and her boyfriend who I hate.”

Spider-Man: “Mr. Fury, this all seems like big time, you know, huge superhero kinda stuff, and I’m just a friendly neighborhood Spider-Man, sir.”

Fury: “Bitch, please, you’ve been to space.”

Sam Jackson really sells it.

My personal favorite is “We know each other! He’s a friend from work!”

I’d like to add:

The God of Jet Skis surely.

One of my favorite themes of time travel stories is that trauma isn’t absolutely bad/awful/evil, if you wind up doing something productive with it. Weirdly, I watched this week’s Legends of Tomorrow shortly before this, and that dealt with the same thing (if Spooner didn’t have a fucked-up childhood she wouldn’t have…

She was Owen Wilson’s fiancée in Midnight in Paris, though she wasn’t exactly a “dream girl”, nor was Owen Wilson a “god”, but hey it sort of counts!

It doesn’t hurt that it stops the fans from demanding en masse that the movies should be following this much cooler story instead, always the biggest risk when you’re doing an elseworlds story.

Maybe “we’re using our made-up names,” which also involves Strange as the straight man.

Let’s hold out hope that Multiverse of Madness has some inspired visual effects along those lines.

This was actually my favorite episode of What If so far in the sense that it actually did something with the concept that made sense to a degree. And while it had sure its issues, such as O’Bengh being surprisingly chill about helping Strange destroy the universe or that weird time-split thing, none of itu felt like…