saviourmachine
SaviourMachine
saviourmachine

"…where it was met with some raves and a dose of controversy, given criticism of its opening sequence, which features overweight women dancing nude."

Shout-out for acknowledging Chapo Trap House. It's surprising how few politically-oriented podcasts are able to struck the balance between defensive judgmental wishy-washiness ('I am limited in my knowledge and thus I am in no position to to take any action or issue a statement') and the willingness to condemn

The AV Club
This is too easy. Still…

While watching it, you get a now rarely achieved feeling that everything you're seeing, without any exception, has been thought-through and labored-over. A real masterpiece of a collective filmmaking effort.

Such a fuсking great film.

The design department deserves all praise in the world for their work on the look of the ship. The Nostromo's hardware, its utterly alien (i.e., dehumanized) and unwieldy interfaces, whose metallic texture is captured so brilliantly throughout the film, adds more fire to the human/robot/alien oppositions governing the

The translucent head, and the cranium peeking through the membrane when exposed to light, is just another stark example of Giger's transhumanistic genius.

If Daguerrotype is half as weird and uncatergorizable as Kurosawa's 2001 enviromental-awareness masterpiece 'Charisma', then I'm so much in.

I'm more of a 'Is She Not Hot Enough For You Dad?' boy, I gotta admit.

No, he is one of the great ones.

I've just realized that I have been spelling that band's name without the letter 'r' at the end of the word Antwoord since like the year it was formed.

There's like two shots in all of High-Rise that I liked, but I can't deny that film's tacky sleekness slowly grew on me.

I didn't know Noel Murray wrote an article about Johnnie To on Dissolve in 2013! I often tend to overlook the first few months of the website's existence, but they seem as rife with material and keen on striking the middle ground between hardcore criticism of mainstream fare and enlightening forays into world

I have a suspicion this film has the shortest runtime in all of Eastwood's filmography.

NOT ANOTHER TEEN MOVIE YOU GUYS

I went to Toronto, I went to Atlanta
I used to drink Pepsi
But now I like Fanta

Crank is one of the few movies that borrows the video game logic right. It is obviously unrealistic, and Statham is as invincible as he is in every other film, but unlike, say The Mechanic Resurrection, and similar to videogames, the film establishes a set of rules (''wreak havoc really, really fast or you'll die',

I'm equal parts amused and worried.

I feel like Barsanti's recent orange-juice meltdown may have something to do with this…