Talk about getting mileage out of an old property. Thank God Simpsons ended 18 years ago and all people associated with went on to do other great things.
Talk about getting mileage out of an old property. Thank God Simpsons ended 18 years ago and all people associated with went on to do other great things.
It's AS IF Marvel is always one step ahead of DC in terms of expectation management, product quality and getting audience feedback.
The AV Club
A captivating documentary detailing the production of Johnnie To's Three. Main takeaway: To is a director of staggering visual genius and intuition who favors actorial improvisation and feeds on his screenwriters' tears.
His hair fails to bridge the uncanny valley.
More like Indiscriminate Content Website 3000.
Also, 'Augustus Gibbons' is the most ridiculously badass agent's name somebody's ever come up with.
If it's any consolation, a new book containing rarely-seen stills and photoshoots from her various projects over the years is about to come out:
That is one of my favorite music videos of all time. The dance is trance-inducing.
The two-girls-in-a-house-in-the-woods premise of this one reminds me of ARP's Queen of Earth. Young filmmakers seem to be attracted to the idea of characters being temporarily secluded from the urban world and undergoing some sort of psychological/spiritual transformation in a slightly surreal and vaguely menacing…
MacGruber (2010):
The AV Club
prepare to chuckle mildly
Mike D'Angelo.
This shirt…This is not my kind of shirt.
I assume now you are able to communicate any thought of any complexity exclusively in Prince album puns and symbols.
A classic-era episode of Simpsons a day keeps crippling depression away!
It's a little bit ironic that Popstar: Never Stop Never Stopping so quickly bombed and faded out of theatres, given that it is essentially a story about a vainglorious celebrity learning the hard way that financial failures and successes are not the most important things in life. Also, like 7 Days In Hell, this…
This time we're going to catch a little glimpse of his ankle bone in the end credits sequence.
This magazine cover is so 1998.
For someone who says his heart wasn't in it during the production, Soderbergh demonstrates a daunting amount of work going on with color in this movie.