Scott Gairdner is also involved and if that doesn’t mean anything to you comment section jabronis, then nobody should give a shit about your thoughts on the modern alt-comedy scene anyway

Johnny Whoops is a twisted game, and should be outlawed

he was really in no hurry to get off-camera, haha. and someone was flipping the blank TV to the HDMI 1 input

sometimes i remember how Soderbergh had to ADR her entire performance in Haywire because her line readings were so bad and it makes me giggle

i doubt it’ll be end up being any more than just a wink and a nudge in the actual film, but the trailer seemed to be leaning pretty heavily into it

you fell outta the sky! buck-ass nude!

there are a million versions of In The Air Tonight on Youtube that give it that treatment, but none that i’ve actually seen used in a trailer or a film

alright, i gotta ask about this, it seems like as good a place as any:

“we’re sorry lad, but your countenance is simply too frightful to portray this dead-eyed dog killer”

oh yeah, that final tune (besides the outro) was pretty decent, i forgot about that one. i dunno. i definitely have to watch it again, now that the crushing disappointment is out of the way and i know what to expect, maybe i can appreciate it more on its own merits

the QUALITY of the Sparks-penned earworms?!?! they’re nothing but dry, repetitive recitative, save for the first song which is just OK but features an excellent staging which Carax ripped off of himself in the shape of the accordion scene from Holy Motors. the music is completely amelodic and arrhythmic for 95% of the…

they need to drop the shit and just call these what they are: Hulu shows. leave FX out of it altogether. when was the last time a new ““FX”” show was actually released on FX? been bugging me since Devs

Mamma Mia, it’s Pappa Pio!

her death was retconned, but wasn’t the brother stuff retconned too?

this looks to be the best SNL sketch to feature film adaptation yet

damn, my eyes do not deceive me, there are truly three different franchises called Insidious, Sinister, Malignant made by basically the same people

yo if anyone’s seeing this, the Vimeo decision was reversed, so watch those exploding penises as many times as you want to your heart’s content

the Coffin Flop clips and the Santa action movie were both made by Fatal Farm, who created one of the greatest videos of all time (extremely NSFW):

can’t wait to introduce my kids to A Clockwork Orange and Ken Russell’s The Devils after the droogs’ and nuns’ soon-to-be-classic appearances in the new Space Jam

call me when they’re ready to tell the story of Roger Peculiar, the Goose Tycoon, and his feud with Angela Dumpson