It really is. But I had to rewatch it to make sure, because, holy shit, The Commune is hot garbage.

This movie was so bad it made me retroactively question if I've ever liked anything Vinterberg ever did.

This is the accurate list, give or take a Witness (in my opinion).

I'm not loving the lead review. The structural critiques aren't great, and to me it reads as saying that the only purpose comics should serve is as escapism/inspiration, and that using them to criticize 'tarnishes' them somehow. There are some strong underlying points, I thought, about Marvel's obsession with turgid…

I believe he's making fun of the fact that the same group of people who worship SNL-era Sandler also have a fondness for Space Jam, and Rabin dislikes both intensely.

I don't know who you're playing with. The randos on PS4 always say, "Fuck the payload, what's in that room?"

You start with a Room of Doom, then move back once they figure out how to get past it to the Exit of Doom, then finally to the Objective of Doom.

Valentine's run is the only one worth reading since Brubaker left the book.

But couldn't she still write the article - since he said it all to her in person - and only officially use the recording if Richard tried to sue her for libel? After all, you can use an illegally-obtained recording as a defense against things like perjury or libel, I believe.

I don't think he'll get out of it. I think he'll break the NDA, get caught, and get sued for every penny he has… thus forcing Erlich to be the one contributing literally everything to their new, binding partnership.

Every single episode of The Wire functions on its own, though. Watch them separated by a week between eps, and you can start teasing out themes of individual episodes and seeing the way the aspects of the investigation discussed that week play with those themes. You can see the way the characters move in increments,…

Uh… definitely DO see Midnighter. It's one of the best books DC's got going right now. Steve Orlando is killin' it on the book.

They will make short films and struggle to get financiers to give them money for even the smallest indie features, and unless that gets rave reviews (and sometimes even if it does) they are mostly back to square one with the money guys who don't think they can handle the pressure or who see how few female directors…

Oh, absolutely. I've heard the same thing. I've read plenty from the last 30 or so years of WW, but little before that, so I would hardly call myself an expert.

I think Simone's run is quite good for the first half to two-thirds, personally, but it fell apart the longer it went, from what I recall. I'll have to reread it sometime soon.

Almost none!

Agreed. But… damn, that style.

I'm beginning to think that DC would be better off literally just appointing a random person off the street to run their publishing.

I like Azzarello's, but it barely feels like a Wonder Woman book at all. Also, I hate most of the dialogue. Also, I think the pacing is kind of busted. Also… okay, so, I have a lot of problems with Azz's take.

I haven't read it in years, but from what I remember, "The Hiketeia" was my favorite WW story for a LOOOOOOONG time.