Whenever I feel off about Chrysta Bell's acting, I just think that David Lynch wanted to give the people he loves a part in his big new project. I can't blame an old man for that.

Nah, I'm spending my weekend playing Dream Daddy, thank you very much

I'm tired of Ales Kot. Most of his writing is him jerking off to how smart he thinks he is, and most of it doesn't pass the threshold of a quick Wikipedia search.

If the film focussed entirely on the victims and was clever about it, gave us a character to care about, I'd be interested. The plot with catching the killer has always been the most boring thing I've ever seen.

I was 14 when I read "1922", and the description of the man repeatedly stabbing his wife's face while she refuses the die, after he thought it would be a clean killing, has stayed with me all the years since.

Ever since I was a kid the title sequence to Grease has given me severe anxiety.

Death and Vanilla - To Where the Wild Things Are
Slowdive - S/T
Tiny Vipers - Laughter
BROCKHAMPTON - SATURATION
Madonna - Ray of Light

Ryan Murphy in general is just as bad as Dunham, but they've forgiven him for the awful things he's written and said. I wonder what the difference is.

You mean it's good? You mean the film bros that run IMDb are going to rate this the greatest film of all time?

Inside is one of the worst films ever made, so I'm definitely looking forward to this.

I just finished reading One Hundred Years of Solitude, and now I'm on to The Master and Margarita. I think I'll make this a month of reading magical realism.

It looks like my house now because I've run out of space on my bookcases.

I mean, don't nominate the show, or for the acting, but I think Lena Dunham deserved a nomination for the writing of Girls' episode "American Bitch".

I think it'll be like Bladder Runner, where the preferred version is the definitive one, while the other is reduced to being wrong and pointless, even if the other is the creators preferred version.

I didn't care from this film or The Dance of Reality, but his novel Where the Bird Sings Best, written about his "family history", is stunning.

Empress Of seems to grasp whatever it is I want out of music, and her new song "Go to Hell" is especially great.

11/22/63 was really good, though, except in the middle.

Do actors get something out of losing/gaining a lot of weight for a role? Is it satisfying? Is it so people will talk about their performance? I see nothing in the losing/gaining of weight that a good makeup artist can't pull off.

Is the reason the B is red in "recent reviews" because of blood?

If there are no "why fight when we can work/talk things out?" scenarios, or any computer science talk, or puns, I'm outtie. I know Ryan North isn't in charge of how Doreen is written, but…