And that’s another big issue, where her parents act so blatantly homophobic so it’ll make sense why she’d be so terrified of coming out, so it makes no sense when they’re fine with it in the end.
And that’s another big issue, where her parents act so blatantly homophobic so it’ll make sense why she’d be so terrified of coming out, so it makes no sense when they’re fine with it in the end.
After a few years to think it over, what I’ve currently settled on is that the movie’s major problem is how we see hardly anything of their relationship before Harper’s family comes into the picture, which means the movie can talk all it wants about how great a person Harper is most of the time, but all we see is her…
My big hope is that Afterlife took up all the necessity of writing around the inconsiderate absence of Harold Ramis in a way the made everyone totally out of character, and this one can just get down to the fun.
There’s two major differences I remember: The movie removes a very scary scene with cave monsters (which was also where Bastian screamed and was heard by the characters, which is replaced by the very silly moment where he inexplicably screams at the idea of a giant turtle). And a moment where he has to get over a deep…
If anyone’s wondering why the name Roberto Da Costa sounds familiar, he was in the New Mutants movie and played by a white guy because race doesn’t matter in an X-Men story. Seriously, that’s the explanation they gave.
I never watched the show, and now never will since I can’t fathom spending ten seasons knowing in the back of my mind that one of the heroes is a monster in real life, but I have to imagine it got really awkward toward the end with Clark getting more and more of the Superman accoutrements but still not having the name…
But Ki-Adi Mundi said in Phantom Menace that the Sith were already extinct by this period, this is breaking canon! PS: I am not a crackpot.
The best part is how the fights all have a perfect, constant beat to everything, where you can practically hear the actors going “and one, two, three” in their heads with every move.
I just love that the Netflix higher-ups said “If The Crown’s crew doesn’t have the balls to cover this, we’ll just find someone else who will.”
So basically the exact same bullshit the guy behind Three Billboards threw out when people called him out on making a movie with the message that racists can be perfectly decent people.
Maybe he just figured the cameo would be along the same lines as George W. Bush’s severed head in Game of Thrones. Oh yeah, that was a thing that happened.
“He will not be returning for the upcoming second season of Squid Game.”
We’re gonna need some more FBI guys, I guess.
There’s also stuff like Bruce Dern getting people trying to kill him after he killed John Wayne in The Cowboys. This is nothing new.
It must have been such hell being unable to defend his sister because she wasn’t ready to come out publicly.
It’s honestly like something out of The Twilight Zone, where she was so certain the extreme right wing fans would have her back that she could say all this stuff and still have a comfortable career, but then finds out they’ll never accept a big strong woman in their movies because it’s “woke.”
Violent Night portraying the character based on him as the ONLY one who’s totally irredeemable and deserving of death was amazing.
From the trailers, I legit got the impression that this was a God’s Not Dead style film where the dog turns out to be Jesus.
It was a big story that he was fired from The Witcher for horribly abusive behavior, after a warning to cut it out. That’s a pretty big piece of the puzzle to leave out of the article.
He was fired from The Witcher for abusive behavior.