I think it was a Vulture article. The showrunners were talking about how they have an open door for the actors to come and talk to them, and I think that situation was the only time one of the actors really struggled with the way the show was going.

I read an article where Matthew Rhys was really uncomfortable with those seasons and talked to the showrunners about it before it clicked that he (the viewer) and he (the character) are supposed to be really uncomfortable with it.

That would make sense. Maybe she's reflected on her second chance and while the situation obviously wasn't good, it was a chance to escape from her past life.

That part surprised me.

I think it was an interesting wrinkle to develop the relationship between the two siblings, that they were both sleeping with the same person. And since they're male and female, the mutual lover that gets killed was going to have to be bisexual regardless.

I think it needs to be looked at as how it affects the story, because a lot of shows use death to make some kind of point. The Good Wife had some if it's best episodes after a character death.

Younger has a main character who is a lesbian with an active love life, Happy Endings had a happily married bisexual character, The 100 has a bisexual lead, Glee had Santana who ended the show getting married to her bisexual girlfriend, etc. Even Carol had a happy ending.

I thought this episode was the best of the last few.

I thought that killing Felicity made sense.

I'm excited for this.

Yeah, she could have argued that she used Jason as her dragon, to take all of the hate while she was part of the big moves.

I think that How To Get Away With Murder has a lot of Scandal DNA, but it was unable to actually reach the greatness that Scandal was able to reach those first 1. 5 seasons.

I think that's true to life, but it doesn't make for compelling TV.

The same thing has happened to How To Get Away With Murder.

Plus, Big Jerry has now been tied to Mellie's story more than it ever was to Fitz.

I think the problem was creating two off screen female characters for the sole purpose of giving them horrific lives to justify why a male character is messed up.

I think Stan suspected Martha because stuff was still happening even after the guy who was framed for it died. Her story of having an affair with a married man was plausible, but also sounds like a cover story and once she didn't show up to work it look like more was going on.

I think they have the copier numbers not adding up.

Not to mention that his storyline seems like a direct rip off of the Santos storyline from The West Wing.

I think the show has largely forgotten what made it good in the first place. The first season was effective at making Olivia a badass woman who defended the innocent by use of her team and her intelligence. The second season deconstructed Olivia's position as a "white hat" as well as the devotion her team had to her.