Thandiwe Newton, no?
Thandiwe Newton, no?
I don’t think The Karate Kid flopped did it? Financially I mean.
“Is there air? YOU DON’T KNOW!”
That is one of my absolute favourite line readings in anything.
You’re wrong, and you’re a grotesquely ugly freak.
And the other one!
Aye, it was basically 2000AD plus Strontium Dog after not very long.
I actually much prefer Top Gun: Maverick to Everything, Everywhere All At Once though I’d be happy if either wins given the middle-brow bollocks that normally gets Best Picture.
Given that Netflix are very selective of what metrics they release, this strikes me as a “no true Scotsman” scenario.
I was really hoping we’d get a lot of 2000AD stuff after Dredd (most of their stories aren’t in a shared continuity, but still). I have the whole thing mapped out if anyone wants to chuck money and rights at me.
And Mr. Inbetween!
I really like the film in a meat-and-potatoes sort of way, my one big complaint though is something you’ve touched on there: the passengers get a few scenes early on where we can see their personalities, but after the kidnapping they all become one amorphous mass of “hostages”. At that stage they all cease to be…
The football (that is to say, soccer) player Kevin Keegan was very undersized as a youngster in the late 1960s/70s, he was put on a Steak, eggs and Guinness diet to bulk him up/help him grow.
Both Daarios from Game of Thrones in the same film, is that allowed?
When you recommended me this Stephen King book, you forgot to tell me one little thing: you didn’t tell me that it was set in an ANCIENT INDIAN BURIAL GROUND
That’s not true about vast swathes of the country, as well you know.
He was the subject of a recent episode of the BBC series Imagine... and you’re right, he seems as on it as ever he did.
That’s close to being the highlight of the entire Bond franchise for me.
I think they airbrushed out the nunchucks, too, for the UK.
At the very least it feels like something that needs to be brought up at various Actor/Director/Writer etc Union meetings. Trying to implement penalties for films and programmes that are completed and then dumped for tax reasons, something along those lines.