This sounds like a place Father Ted would visit but only reluctantly.  It had me at Gleeson and Ferrell together again with the director of In Bruges, I'm sure I'll laugh and cry in equal measure.

Aryan vs. Predator.

Don’t Dead Open Inside

Reads as:

“Walther PPK, 7.65 millimeter. Only three men I know use such a gun. I believe I’ve killed two of them.”

He was so enjoyable in Goldeneye as the kinda friendly Russian mafia boss, just one of many reasons that film is fantastic.  Damn, 72 might not be young but it doesn't feel old anymore, farewell.

Obviously the original was going to be 1st, and 3 & 4 have developed cult followings, so that also checks out. But why the Hell is H2O ranked so low? And that a pretty low ranking for part 2, as well.

I’m still holding out for Halloween 3 2.

Disseminating hyperbolic stories about people passing out during horror movies or posting “doctors” by the auditorium for distressed audiences is an age-old hype technique. And judging by the ages and tweet history of some of these “fans…” this is just another iteration of the same thing.

There’s always Halloween 3 Season of the Witch, which is how this franchise was supposed to go, before it got endlessly repetitive and boring.

“distracts from the story, which is that my life fell apart right when I was learning to be both Jen and She-Hulk. Those are my stakes, K.E.V.I.N.”

I don’t know why people keep saying she was in Gaslight. There’s no evidence of it, and only a crazy person would think it.

It makes me consider just how much of the success of Rogue One was indeed Tony Gilroy rather than Gareth Edwards.

Andor has gone from the name that I didn’t really care about on that big MCU-style Star Wars Wall-O-Announcements screen to now the guiding light for every major Star Wars project going forward.

Forgive the self-reply, but... in retrospect, can you imagine what Rogue One might have been like with the original script intact and none of the hasty rewrites and reshoots?

Goddamn is this show ever great. It’s reminding me a bit about the early 70s cinema turn to grit and antiheroes and the whole embrace of moral ambiguity. I particularly loved how, during the robbery, the Rebels haughtily self-justify themselves while kidnapping a relatively innocent woman and her son, basically…

Oh, and the Commandant dying of an apparent heart attack was some sweet poetic justice.

Man, this episode was truly fantastic. Tense, full of great flourishes and world building, bolstered by top notch performances, and it really made me question if the heist would be a success. And some really fantastic visuals, from the Eye to the reveal of the doctor having four arms.

The Ward is very straight-laced, more of a psychological thriller. Good concept but just kind of a mess in its execution. To this day, I still say In the Mouth of Madness is JC’s last, best movie.

“We’re just carpet men here. Your hardwood floors need a carpet? We provide it.”