I'd argue that Baby Yoda has tons of personality (they actually made him kind of a jagoff at first,) but yeah, this dipshit from Rise of Skywalker almost doesn't even exsit. 

Babu Frik and Grogu are both adorable, but they barely qualify as characters. They’re essentially plot devices.

Yeah. Leia’s message is Leia in diplomatic mode, but when Luke comes into the detention block he says something like, “I’m here to rescue you. I’ve got your R2 Unit... I’m here with Ben Kenobi.” At which point she excitedly shouts, “Ben Kenobi is here! Where is he?” Which implies that her connection to Obi-Wan is more…

“Leia’s “help me Obi-Wan Kenobi” message that she gives to R2-D2 in the movie seems to imply that she and Obi-Wan do not know each other, but she eventually does meet Obi-Wan in part two of the premiere and she hears him referred to as Obi-Wan—despite his insistence that he is called “Ben.””

If there’s any inconsistency with Obi-Wan’s appearance, it’s just that people born in 1914 aged a lot worse than people born in 1971. Macgregor is 17 years older in Kenobi than he is in Revenge of the Sith. Strictly going by the canon timeline he’s already old enough to play Kenobi in the New Hope era, much less 9…

Very sad. Goodfellas is one of those films that if I stumble across it on TV, I’ll invariably watch it until the end.

Holy shit!  At age 67, that feels too young.  I did wonder after seeing Many Saints because he didn't great.  Shame he never was as big as he deserved after Goodfellas.  Sounds dumb but one of my personal favorites roles was appearing in Call of Duty zombies as a gangster stuck in Alcatraz.  He had fun with the…

“Hanks, of course, plays Colonel Tom Parker, Elvis’ manager/parasite, who Luhrmann’s screenplay—which arrives with a whole forest of names attached to it in the film’s credits—places at the center of Elvis’ story, for some reason.”

Or even yet again Agents of SHIELD versus the rest of the MCU.

To be fair, changing Loki’s line to “I once turned into a mare, fucked a giant’s horse, and gave birth to my dad’s sick new ride” would perhaps also not be a slam dunk for LGBTQ representation.

I was more or less with you until the end, when I feel like your comment had a record-scratch moment. I‘m really not cool with this idea that having queer people in your show makes it “not some silly fun”, like the simple addition of queer people makes a show “political” or “serious” and thus no longer “just some…

Some validity here, but consider that there’s no reality where Lalo just made a beeline from his manhole to the interior of Jim & Kim’s apartment. The fact that he’s been living in a sewer speaks to how patient he’s willing to be to exact his revenge.

The way she played that scene as Steve professed his love was so perfect.

Give her someone to be with if it advances the story, don’t just throw in a romance subplot for the sake of having a romance subplot.

Is this all some sort of bizarre performance art or is everyone involved really this fucking dumb?

Good god, that quote sounds like something my dad would say before he goes on a rant about George Soros.

Perhaps we can all agree that the REAL villain of this story is the film student guy. What a douche.

RIP to Howard. So smart, he put all the pieces of Slippin’ Jimmy’s con together in no time. He had it down cold. To the point I almost thought he had Cliff convinced to keep fighting through the deposition debacle.