rowan5215
Rowan5215
rowan5215

I specifically came here to mention that scene in Self Control when they realise they’re both humans as well as the “her name is Jemma Simmons” moment in s7, so I’m glad they were in the article. this show was so good at making its relationships feel earned and lived-in from the start - one of the reasons why the

do we know if he’s even heard Fugazi? what a poser

it’s definitely a stretch but I don’t even mind - hell they could break canon to give us a bit more Kyle for all I care. (they actually already de-aged him in S2 in a flashback to Jiaying’s “death”, and even though it was for about a second I thought it looked pretty good).

I never really thought of this as an action series - unlike, it seems, a lot of people - but Daisy’s one-take fight scene was the first time I sat up and thought holy shit, it can do action

I really like this idea. We got Victoria Hand and John Garrett (s1), we got Afterlife and Jiaying (s2), we got HYDRA and the Malick dynasty (s3), we got the Framework (s4), we got space, time travel, monoliths and Flint (s5). they did such a great job of saying goodbye to every era of the show without beating the

it’s so wild that “Recurring Dream” never made a standard Crowded House album, it’s one of their best songs

I think Saturday Night Wrist is by far their best album. it’s a great one if you prefer the darker stuff on White Pony over the riffier stuff - SNW was easily their darkest moment as a band, and it’s a heavy listen, but absolutely rewarding

the very best Big Finish stories probably top the very best of the TV show, I’d say. ones like The Chimes of Midnight which just take full advantage of their freedom to be as dark and gruesome as they like while still being recognisably Doctor Who

partly, the character did change to reflect her real-life personality (as every Community main did to some extent, bar maybe Abed) but I think there’s a point around s3 when she’s pretty much turned into a laughing stock with no real individual characteristics anymore

here for the Gillian Jacobsnaissance. she didn’t even really get her due on Community, playing arguably the most Flanderised character of the main bunch, but she has killer delivery and her physical comedy is absolutely fantastic. I’ll watch anything she’s in

I would have much preferred the purgatory direction being the actual story. I can suspend a lot of disbelief for horror, but that film asking me to buy that two children meticulously planned and executed every single phenomenon throughout the entire movie is one of the dumbest twists I’ve ever seen. There are so many

that Daisy/Mack conversation in the quinjet really got to me. it was the writers basically acknowledging that all good things have to end and they can’t keep the team together forever, but man, it was brutal watching Daisy tear up like that

I’m just sitting here wondering why I haven’t seen those two in the same cast before. they look phenomenal in this

is this you being me-taaa?

I’d throw in DYWM?! purely for the bars on “I Remain Calm”. some of my favourite chemistry in any hip-hop song right there

the guy playing Nathaniel genuinely weirds me out. I think it’s because he looks like an uncanny valley rendering of Michael Shannon with a rounder face. he's certainly been interesting in every scene he's had, though 

Leonard likes this post.

I will star this purely for “Paul” by Big Thief, legitimately one of the most beautiful songs I’ve heard in my life. good stuff here

itt: midlife crisis white dudes will post their fashion opinions on a female artist who dresses the way she does because of midlife crisis white dudes

Bryce is involved in a fair few songs, and I believe Devendorf is even on drums once or twice